Felipe Maximiliano Chacón

Author

  • Born: 1873
  • Birthplace: Santa Fe, New Mexico Territory (now New Mexico)
  • Died: c. 1925

Biography

The details in the life of Felipe Maximiliano Chacón are obscure, but one matter is clear: the “New Mexican bard,” as he was called, was a pioneer in the popular Hispanic literature of the Southwest United States. Almost everything that is known of Chacón comes from a prologue written for Chacón’s only book by a friend, historian Benjamin M. Read. Chacón was born in Sante Fe, New Mexico, in 1873. His father, Urbano, was a prominent newspaper publisher in the northern New Mexico-southern Colorado region. After finishing his education at the College of San Maguel in Sante Fe, Chacón also pursued a career in journalism, working variously in New Mexican cities of Mora, Las Vegas, Bernalillo, and, finally, Albuquerque. He began writing poetry, according to Read, at age fourteen.

In 1924, while Chacón was editor of Albuquerque’s newspaper La Bandera Americana (the American flag), he published Obras de Felipe Maximiliano Chacón, “el cantor neomexicano”: Poesía y prosa (works of Felipe Maximiliano Chacón, “the New Mexican bard”: poetry and prose). Written entirely in Spanish, it contains fifty-six poems in traditional forms, three short stories, and seven translations of popular English-language poets, such as Henry Wadsworth Longfellow, George Gordon, and Lord Byron. The poetry, comments critic Doris Meyer, treats of community themes and appealed to local readers’ morality, sentiments, and patriotism. For instance, Chacón celebrates the Fourth of July in “A la Patria” (to the fatherland), and another poem discourses on the promise afforded by New Mexico’s elevation to statehood in 1911 and the suffering and injustices that preceded it. The poems reveal a romantic appreciation for the Hispanic part of the local culture and pride that it is part of the United States. The short stories also reflect local culture but are more rooted in episodes of daily life. Based upon an actual incident, one tells of a brother and sister separated when young who, as adults, are on the verge of wedding when birthmarks reveal their relation. Another depicts a shepherd discussing a faithless lover during a trip into town. These works are, in Chacón’s own words, intended as recreational reading for all the Spanish-speaking community in New Mexico and have no pretensions at profundity or innovation. As such, they bespeak that community’s values. Chacón was thereby an early popular regional writer for Hispanics.