Florbela Espanca

Poet

  • Born: December 8, 1894
  • Birthplace: Vila Viçosa, Portugal
  • Died: December 8, 1930

Biography

Florbela Espanca was born in Vila Viçosa, Portugal, an illegitimate daughter of a maid. After the death of her mother in 1908, Espanca went to live with João Espanca and his wife Maria. She was treated by the Espancas as one of their children. At a time when few young girls were able to attend school, Espanca started high school in Evora. After high school, she became a tutor, teaching English, French, and other subjects. At the age of nineteen, she was married to Alberto Moutinho. In 1917, Espanca entered law school at the University of Lisbon; she was the first Portuguese woman to pursue a law degree. In 1919, Espanca suffered a miscarriage, and her first work, titled Livro de mágoas (the book of sorrows), was published. Around the same time, she began to exhibit symptoms of mental illness. In 1921, Espanca divorced her first husband, and act that exposed her to considerable social prejudice. In 1923, Espanca married her second husband, Antonio Guimares. Her second work, Livro de soror saudade, was published in the same year. After suffering another miscarriage, Espanca initiated divorce proceedings against her second husband. In 1925, she was married for the third time. Her last husband was Mrio Lage. In 1927, Espanca’s brother, Apeles, was killed in an airplane crash. She was profoundly affected by this event, and she was inspired to write As mascaras do destino (the masks of destiny). By 1930, Espanca was in despair, and she attempted suicide in October and November of that year. She was also diagnosed with pulmonary edema. Espanca died in December, 1930, on her thirty-sixth birthday. The cause of her death remains unclear. Her greatest work, Charneca em flor was posthumously published in 1931. Unfortunately, few of Espannca’s writings were published during her lifetime. She is remembered as a romantic yet feminist poet who expressed the dichotomy between a woman and her passions and the influence of the social mores of her time.

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