Silvina Ocampo

Author

  • Born: July 21, 1903
  • Birthplace: Buenos Aires, Argentina
  • Died: 1994

Biography

Silvina Ocampo was born July 21, 1903, in Buenos Aires, Argentina, the youngest of six daughters of Manuel Silvino Ocampo and Ramona Aguirre Ocampo. Her younger sister, Victoria Ocampo, would become editor of the prestigious literary journal Sur. Silvina was educated at home. Despite (or perhaps because of) the privileged position of her wealthy family, she grew up a lonely child and seems to have relied on the affection of the household servants.

Ocampo rejected the importance of the autobiographical element in relation to her work, and made few details of her personal life public. It is known that she briefly studied drawing and painting in Paris, France, under famed artists Giorgio de Chirico and Fernand Leger. She held an exhibition in Buenos Aires in 1940 but subsequently turned to literature as the primary outlet for her creative impulses.

Ocampo met writer Adolfo Bioy Casares in 1933, and the two were married in 1940. Although the couple had no children, Bioy Casares himself had a daughter by another woman in 1954. Ocampo adopted the child, named Marta, soon after her birth. Ocampo died in 1994, and Marta was killed in an automobile accident only three weeks later.

As a writer and literary figure, Ocampo was closely associated with two men whose fame overshadowed hers, Jorge Luis Borges and her husband. Her earliest works include a series of drawings inspired by Borges’s poems, and she wrote a detective novel with Bioy Casares in 1946. The couple also hosted a weekly salon at which Borges was a frequent guest. Ocampo’s own writings posit a world of fantasy—but it is a grotesque, disorienting world in which cruelty and greed are the norm.

The work for which Ocampo is best known in English is probably “Leopoldina’s Dream,” from the 1959 collection La furia, y otros cuentos. Narrated by a dog, the story describes wicked sisters who attempt to exploit their older sibling’s ability to work miracles—with catastrophic consequences. Ocampo edited, with Borges and her husband, an anthology of Argentine poetry and The Book of Fantasy.

Ocampo received several awards for her work. Los nombres won second prize in the National Poetry Competition in 1953, Espacios metricos won the Municipal Prize in 1954, Lo amargo por dulce won first prize in the National Poetry Competition in 1962, and Cornelia frente al espejo won the prize of the Club of the XIII in 1988. Although not well known outside her native country, Ocampo is regarded as a key precursor of the school of magic realism that dominated Latin American literature during the latter half of the twentieth century.