Dramatic structure

Gustav Freytag (1816–1895) was a successful German playwright and novelist. Throughout his career, Freytag came to believe that all dramatic plots could be divided into seven parts. Collectively, these parts made up a story's dramatic structure. Freytag's dramatic structure is sometimes referred to as Freytag's pyramid.

Some modern interpretations of Freytag's dramatic structure include only five parts. Freytag based his work on the writings of ancient Greek philosopher Aristotle in Poetics, who divided all dramas into just three parts.

The Parts of Dramatic Structure

Dramatic structure begins with exposition. In this plot segment, the writer describes the setting and introduces the main characters. In addition, the writer provides any background information or details the reader will need to understand the rest of the story. In some works, the exposition also establishes the mood.

In Freytag's dramatic structure, the inciting incident follows the exposition. The inciting incident is the event that marks the end of the work's introduction and the beginning of the primary plot arc. The rising action follows the inciting incident. During the rising action, the tension created by the inciting incident builds. The characters run into obstacles that keep them from accomplishing their primary goals and conflicts with any antagonists begin. Some modern interpretations of dramatic structure do not include the inciting incident as a separate part of the dramatic structure. Instead, it is considered part of the rising action.

The climax concludes the rising action. During the climax, all the tension from the rising action erupts as the plot's primary conflict reaches a critical stage. The climax, which is often the most thrilling part of the plot, takes different forms in different genres. For example, in a tragedy, the climax may be the moment where everything finally turns against the protagonist. In an adventure novel, it may be the most action-packed part of the story.

The falling action comes after the climax. It reveals the consequences of the climax and explains how the protagonist deals with these consequences. The falling action also signals to the reader that the story will be ending soon. In Freytag's dramatic structure, the falling action is punctuated by the resolution. The resolution is the moment when the story's primary conflict is finally solved. Some contemporary analyses of dramatic structure do not include resolution. In such interpretations, the end of the plot's primary conflict is part of the dénouement, which concludes the story.

Dénouement is the opposite of exposition. This stage wraps up any remaining plot points and tells the reader what happens to the main characters after the primary conflict has ended. While it is still a part of dramatic structure, some modern works do not include dénouement. Instead, they end on the resolution, and the reader does not find out what happens to the characters once the main conflict is over. This type of ending is sometimes called a cliffhanger.

Bibliography

"Analyzing a Story's Plot: Freytag's Pyramid." Ohio.edu. Ohio University. Web. 26 Dec. 2014. http://www.ohio.edu/people/hartleyg/ref/fiction/freytag.html

Wheeler. L. Kip. "Freytag's Pyramid." English Department, Carson-Newman University. Carson-Newman University. 2014. Web. 30 Dec. 2014. https://web.cn.edu/kwheeler/freytag.html