The Gold Rush (silent film)

Identification: A silent film about a lonely tramp who searches for companionship while others search for gold

Director: Charles “Charlie” Chaplin

Date: 1925

After his highly praised but not widely popular domestic drama A Woman of Paris (1923), Charlie Chaplin returned to comedy with The Gold Rush. The film was a critical and commercial success and is the work that Chaplin himself said he wished to be remembered for the most.

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The Gold Rush is a period piece, inspired by illustrations and tales of the exhilaration and dangers of nineteenth-century prospecting in California and Alaska. It is also a principled, although not moralizing, commentary on historical and contemporary materialism, greed, and cruelty. But what makes it a classic is the extraordinary comic performance of Chaplin in his familiar guise as the Little Tramp. Alongside the physical skills that make him such an entertaining spectacle, this character also possesses deeper qualities of imagination, resiliency, emotional honesty, determination, and bravery that help him achieve the most basic and important human goals: survival and security, not profit; love and friendship, not status; and dignity, not fame or popularity.

The Tramp journeys to the Yukon for the Klondike gold rush; once there, he wanders through an inhospitable environment, encountering harsh weather, snarling murderers such as Black Larsen (Tom Murray), smiling bullies such as Jack Cameron (Malcolm Waite), and the painful indignity of the indifference of saloon-hall women. Chaplin’s comic strategy is to transform what he can and accommodate himself to what he cannot. In two of the film’s most celebrated sequences, he turns a boot into a Thanksgiving meal and dinner rolls on the end of forks into dancing legs. He also forges a cautious friendship with Big Jim McKay (Mack Swain), who, driven mad with hunger, had at one point wanted to eat him, and ends up in the arms of Georgia (Georgia Hale), who earlier had looked right through him.

Impact

The Gold Rush helped Chaplin maintain his enormous popularity in the 1920s as a comedian representing the common person: downtrodden, disadvantaged, and isolated, but nonetheless buoyant, resourceful, sympathetic, and ultimately successful. While the Tramp is primarily associated with physical comedy, The Gold Rush continues Chaplin’s development away from simple, albeit enjoyable, slapstick and sight gags, toward a comedy that incorporates pathos, emotional insight, and thoughtful commentary on our desires, values, and social institutions.

Bibliography

Robinson, David. “The Gold Rush.” In Chaplin: His Life and Art. Rev. ed. London: Penguin, 2001.

Vance, Jeffrey. “The Gold Rush.” In Chaplin: Genius of the Cinema. New York: Harry N. Abrams, 2003.