Rocky (film)

Identification Motion picture

Date Released in 1976

Director John D. Avildsen

Written by an unknown actor and produced on a limited budget, this film nevertheless became one of the most popular and critically acclaimed motion pictures of the 1970’s.>

Key Figures

  • John G. Avildsen (1935-    ), film director

The creator of the motion picture Rocky was Sylvester Stallone, a struggling actor and screenwriter whose only previous significant acting credit was a featured role in the 1974 film The Lords of Flatbush. Stallone, inspired by the 1975 performance of heavyweight boxer Chuck Wepner in a title match against heavily favored Muhammad Ali, reportedly completed the screenplay for Rocky in three days. His idea drew the interest of producers Robert Chartoff and Irving Winkler, who, after extensive negotiations, reluctantly agreed to cast Stallone in the title role.

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Set in the slums of Philadelphia, Rocky is the story of an aging Philadelphia club boxer who is chosen virtually at random to challenge heavyweight champion Apollo Creed, a flamboyant character based on Ali who conceived the match with Rocky, to be held on the U.S. bicentennial, as a public relations stunt. Aided by his grizzled manager, Mickey (played by Burgess Meredith), Rocky embarks upon a grueling, unorthodox training regimen that includes drinking raw eggs and punching sides of beef in a packing house.

In the weeks leading up to the match, Rocky undergoes a physical transformation symbolized by a triumphant training run up the steps of the Philadelphia Museum of Art and an emotional maturation represented by his relationship with girlfriend Adrian, played by Talia Shire. In the climactic fight with Creed, Rocky astonishes everyone by lasting the full fifteen rounds, losing in a split decision but gaining personal and professional redemption in the process.

Rocky was a modern interpretation of a dramatic theme popular throughout the history of American literature and film in which an obscure and disadvantaged individual achieves success through hard work, perseverance, and fortune. As in classic boxing films such as Body and Soul (1947) and On the Waterfront (1954), in Rocky the sport serves both as a metaphor for life and as a backdrop for the introduction of contemporary social themes. The film drew praise for both its realistic portrayal of the boxing world and its gritty treatment of urban life, which echoed other urban-themed films of the era such as Midnight Cowboy (1969), Serpico (1973), and Taxi Driver (1976).

Impact

Made in one month for less than one million dollars, Rocky achieved enormous financial and critical success, winning Academy Awards in 1977 for Best Picture, Best Director, and Best Editing. The film propelled the previously obscure Stallone to international stardom and a successful career as an actor, screenwriter, and boxing choreographer. Stallone subsequently wrote and starred in a series of sequels to Rocky, ending with Rocky V in 1990; although successful at the box office, these films failed to achieve the critical and dramatic impact of the original. The success of Rocky also inspired a subgenre of films featuring working-class hero characters, such as Saturday Night Fever (1977), Urban Cowboy (1980), and Flashdance (1983).

Bibliography

Daly, Marsha. Sylvester Stallone: An Illustrated Life. New York: St. Martin’s Press, 1984.

Gross, Edward. “Rocky” and the Films of Sylvester Stallone. Las Vegas: Pioneer Books, 1990.

Stallone, Sylvester. The Official “Rocky” Handbook. New York: Grosset and Dunlap, 1977.