Æ
Æ, pronounced "ay ee," is the pseudonym of George William Russell, an influential figure in the Irish Literary Renaissance. Born into a Protestant family in Dublin, Russell demonstrated artistic talent from a young age, studying at the Metropolitan School of Art and forging a lasting friendship with the renowned poet William Butler Yeats. In 1887, he embraced Theosophy but soon shifted his focus to the Irish Agricultural Organization Society and the Abbey Theatre, which he helped establish. His literary contributions include editing prominent publications like The Irish Homestead and the Irish Statesman. Though politically engaged, particularly with Sinn Féin, Russell preferred to be remembered for his poetry and painting rather than his political activism. He is noted for his mystical worldview, which resonates in his artistic works, and he is regarded as a pivotal architect of modern Irish identity. Æ's legacy is characterized by a blend of creativity, friendship, and a deep philosophical connection to the essence of Ireland.
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Æ
Irish poet and political philosopher
- Born: April 10, 1867
- Birthplace: Lurgan, County Armagh, Ireland
- Died: July 17, 1935
- Place of death: Bournemouth, England
Biography
The biblical name Æon was the pseudonym that George William Russell signed to an early manuscript; he adopted Æ (ay ee) after the inadvertent dropping of the last two letters in printer’s proof. Born into a Protestant family of three children, of which he was the youngest, he attended Rathmines School in Dublin, where the Russells moved when he was ten. After two years, young George William studied at the Metropolitan School of Art, where he formed a friendship with William Butler Yeats, an association of great importance to both and of long duration. (There were a few difficult years during which Æ’s somewhat incongruous friendship with George Moore caused Yeats concern.) {$S[A]Russell, George William;Æ}

In 1887 the visionary young man became a Theosophist, but he left the society two years later to devote himself to the Irish Agricultural Organization Society, to home rule, and especially to the Irish Literary Renaissance as one of the founders of the famed Abbey Theatre. From 1898 to 1932 he was married to Violet North, with whom he had two sons. Her own Theosophist viewpoint made the marriage successful in spite of long separations, and her death devastated Russell.
From 1904 to 1923, Russell edited The Irish Homestead, after which he edited the Irish Statesman, from 1923 to 1930. He was politically but not militarily aligned with the Sinn Féin movement, though he grew disenchanted with home rule later and moved to England. He did not wish to be remembered as a political figure or reformer but as a poet, artist, and friend of humankind. His greatest talent was perhaps painting, an activity he pursued only as an avocation; he gave his works to friends.
Though lean in his early years, he is most often remembered as corpulent, shabbily dressed, friendly, and loquacious, with a russet beard and mouse-colored hair which he cut himself, blue-gray eyes, and a rural accent. His mystical views are apparent in his prose and poetry, and they are often compared with those of his friend Yeats. Æ is considered one of the architects of the modern Irish nation, in both a practical and a philosophical sense, for his many works on the nation as a living entity.
Bibliography
Æ. Some Passages from the Letters of Æ to W. B. Yeats. 1936. Reprint. Shannon, Ireland: Irish University Press, 1971. Æ was perhaps his own best biographer in this work.
Davis, Robert Bernard. George William Russell (“Æ”). Boston: Twayne, 1977. The first chapter sketches the external events of Æ. His varied interests are elaborated in six succeeding chapters, with focuses on the mystic, the poet, his drama and fiction, the economist, the statesman, and the critic. A brief conclusion assesses Æ’s contributions. Provides a chronology, notes, an index, and an annotated, select bibliography.
Kain, Richard M., and James H. O’Brien. George Russell (Æ). Lewisburg, Pa.: Bucknell University Press, 1976. The first three chapters, by Kain, present a biography of Æ by examining his personality, his early success, and his decline. The last two chapters, by O’Brien, examine Æ’s interests in Theosophy and his work as a poet. Contains a chronology and a select bibliography.
Kuch, Peter. Yeats and Æ: The Antagonism That Unites Dear Friends. Totowa, N.J.: Barnes & Noble Books, 1986. This work examines the relationship between William Butler Yeats and George Russell from their first meeting in art class to their split in 1908. Kuch provides excellent background on the inner workings of the London-Dublin esoteric worlds which shaped both men. Especially valuable is his ability to sort through the many branches of the esoteric tradition.
Loftus, Richard J. Nationalism in Modern Anglo-Irish Poetry. Madison: University of Wisconsin Press, 1964. Chapter 5, “The Land of Promise,” is a substantial examination of Æ’s attitudes toward Irish nationalism. His optimism turned to anger, then to disillusionment. Rarely did he include his private political feelings in his public verse. The House of the Titans is analyzed for nationalistic implications. Supplemented by notes, a bibliography, and an index.
Mercier, Vivian. “Victorian Evangelicalism and the Anglo-Irish Literary Revival.” In Literature and the Changing Ireland, edited by Peter Connolly. Totowa, N.J.: Barnes & Noble Books, 1982. Evangelicalism is examined as the background to Æ’s career. His father made Æ aware of the power of conversion, which occurred away from Evangelicalism to Theosophy for him. He helped to establish Theosophy as a sect similar in status to that of a Protestant Evangelical group. Includes notes and an index.
Summerfield, Henry. That Myriad-Minded Man: A Biography of George William Russell, “A. E.,” 1867-1935. Gerrards Cross, Bucks, Ireland: Colin Smythe, 1975. Chapter 1 explains Russell’s mysticism. His nationalism is then examined. Chapter 4 focuses on farm interests, and the following chapter describes his journalism from 1905 to 1914. Russell’s pacifism is then posed against the violence of war in two chapters, and a final chapter covers his last years. Complemented by illustrations, notes, and an index.