André Chénier

Writer

  • Born: October 1, 1762
  • Birthplace: Constantinople, Ottoman Empire (now Istanbul, Turkey)
  • Died: July 24, 1794
  • Place of death: Paris, France

Biography

Romantic poet André Marie Chénier began his tragic life in 1764 in Constantinople, born to a French father and a self-proclaimed Greek mother. He lived until he was eleven with an aunt and uncle in Carcassonne in Languedoc, returning to live with his mother in Paris. While there, he received over the years exposure not only to his mother’s salons but also to the finest of schools, Collége Navarre, where he was an astute scholar.

In his teen years, Chénier was loving and attentive, courting numerous loves and taking as many mistresses, but never sustaining a long-term love affair and never marrying. Despite this (or because of it), he spent his teens and twenties writing convincing love poems and dramatic pieces filled with the malaise of longing.

Public life was no better to him: A little over a decade later, in 1794, he was arrested and imprisoned at Saint-Lazare, suspected for his association with politically unsavory groups. An accused accomplice and decidedly subversive writer, André Marie Chénier was hanged that same year, in July of 1794.

Chénier never published while alive. His works did not go into print until nearly twenty-five years after his death. Despite this fact, he was considered an important chronicler of eighteenth century France. In fact, his younger brother, Marie- Joseph, was a much more acclaimed and well-known poet in their day.

Chénier wrote sensual, witty, and passionate verse for his mistresses. His writings frequently influenced the important poets of the time, including Victor Hugo, Charles-Augustin Sainte-Beuve, the Viscount François-Auguste-Réné de Chateaubriand, and Alphonse-Marie-Louis de Prat de Lamartine. These poets revered his legendary demise as heroic and as the epitome of the romantic hero.

Chénier was not remembered, then, as the maudlin malcontent who wrote only of unrequited love. Instead, he was recalled as the courageous poet who faced accidental and incidental punishment by death and who, hours before his execution, was still writing poetry rife with passion, compassion, and satirical wit.