Damn Yankees (film)

Identification Musical comedy about baseball and a deal with the devil

Date Opened on May 4, 1955

Place 46th Street Theatre, New York City

Authors Music by Richard Adler and Jerry Ross; book by George Abbott and Douglass Wallop

The only successful musical comedy about baseball, Damn Yankees ran for 1,019 performances before leaving Broadway and was made into a feature film.

Key Figures

  • Richard Adler (1921-    ), lyricist and composer
  • Jerry Ross (1926-1955), lyricist and composer
  • George Abbott (1887-1995), playwright
  • Douglass Wallop (1920-1985), playwright

Stories of people who sell their souls to the Devil in exchange for worldly goods can be traced back to Johann Wolfgang von Goethe’s Faust: Eine Tragödie (pb. 1838; The Tragedy of Faust, 1823). However, only in the United States could it become the story of a baseball fan who wants to see his beloved Washington Senators win the World Series . Adapted from Douglass Wallop’s novel The Year the Yankees Lost the Pennant (1954), Damn Yankees is the story of Joe Hardy, a middle-aged couch potato given the opportunity by the diabolical Mr. Applegate to become a youthful superstar. There is a catch, however Hardy must return to his wife, Meg, by 9 p.m. on the night of the last game of the World Series or his soul is forfeit.

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When Hardy seems poised to succeed in his game, Applegate summons his seductive assistant, Lola, to lure Hardy away from Meg, in the hope of causing Hardy to forfeit his soul. In spite of Lola’s wiles, Hardy resists her attempts, manages to help the Senators win despite being turned back to middle age by Applegate, and returns home to his beloved Meg. The play’s title used a touch of humor by referring to some baseball fans’ exasperation with the New York Yankees, a team that placed in the World Series nearly every season during the 1950’s while the Senators were perennial underachievers.

Impact

Damn Yankees resonated strongly with the values current during the 1950’s—personal responsibility, fidelity, teamwork, and self-sacrifice. It was such a success on Broadway that it was subsequently produced for the cinema in 1958, with many members of the cast reprising their stage roles.

Bibliography

Jones, John Bush. Our Musicals, Ourselves: A Social History of the American Musical Theater. Waltham, Mass.: Brandeis University Press, 2003. A lively look at the role played by the musical comedy in the popular culture of the era.

Judge, Mark Gauvreau. Damn Senators: My Grandfather and the Story of Washington’s Only Win. San Francisco, Calif: Encounter Books, 2003. A memoir of the star first baseman of the Senators, written by his grandson. Details the friendship that developed between his grandfather and Douglass Wallop, and how Wallop used him as the prototype for Joe Hardy.

Swain, Joseph P. The Broadway Musical: A Critical and Musical Survey. 2d ed. Lanham, Md.: Rowman & Littlefield, 2003. A more scholarly look at the topic, but with plenty of familiar examples.