Esmé Wynne-Tyson

Writer

  • Born: June 29, 1898
  • Birthplace: London, England
  • Died: January 17, 1972
  • Place of death:

Biography

Esmé Wynne-Tyson was born Dorothy Estelle Esmé Ripper in London, England, in 1898. As an only child, she was educated by a governess and at a boarding school. At a young age she gravitated to the London stage, and in her adolescent years she was appearing in The Blue Bird and Where the Rainbow Ends. She also wrote sketches and “curtain- raisers,” short plays performed before the principal dramatic productions, with the actor and playwright Noel Coward.

In 1914, however, her stage career was interrupted when her parents sent her to a Belgian convent for further education. In 1918, she married Lynden Charles Tyson, an officer in the Royal Air Force. The couple had one son before they separated in 1930.

During the 1920’s, Wynne-Tyson continued to write plays that were produced in London but also began to write poetry, short fiction, and novels. At the end of the 1930’s, she began to collaborate with the novelist J. D. Beresford, and the two wrote three novels that were published in the 1940’s.

Wynne-Tyson became a Christian Scientist in 1922, and her religion ultimately led her to write nonfiction books that dealt with religion, world harmony, and nonviolence. The first of these books, Prelude to Peace: The World Brotherhood Educational Movement, proposed reforms to the educational system and was published in 1936, followed by The Unity of Being, which appeared in 1949. Mithras: The Fellow in the Cap included an attack on orthodox Christianity, and The Philosophy of Compassion: The Return of the Goddess was an early work of feminism. She also edited On Abstinence from Animal Food, a treatise written by Porphry, an ancient Roman writer.

Wynne-Tyson edited World Forum from 1961 to 1970, and in this magazine she expressed her support for nonviolence, universal brotherhood, and animal rights, among other positions. She died in 1972, leaving behind a literary legacy that moved from the theater, to fiction, to polemical nonfiction.