Jacob Balde

Poet

  • Born: January 4, 1604
  • Birthplace: Ensisheim, in Upper Alsace, Germany
  • Died: August 9, 1668
  • Place of death: Neuburg, Germany

Biography

Jacob Balde was born in the early seventeenth century and was sent away at nine to Belfort to learn Bourgignon, a French- Burgundian dialect that was considered useful in an administrative or judicial career. While he was away, his maternal grandmother, Ursula Wittenbach, was burned alive in 1613 after confessing under torture to witchcraft. Misfortune plagued Balde through his life. Three years after his father’s death, in 1620, Balde entered the Jesuit university in Lower Alsace but moved to University of Ingolstadt in Bavaria when the Jesuits were threatened by the military forces of Ernst von Mansfeld. A rowdy young man who graduated in 1623, Balde set out to be a judicial figure, but, according to an urban myth, he decided to join the Jesuit order after the sound of midnight psalms interrupted his attempt to serenade a woman.

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In 1624 he was sent to Landsberg, where he studied the plays of Jacob Bidermann and Jakob Keller, who was also the rector of the gymnasium. He began writing his own plays in 1629, when he was transferred to the Jesuit academy at Innsbruck to teach rhetoric. His works were often written in a combination of the Latin and German tongues, as was the Neo-Latin custom, but they dealt with modern themes and figures as well as those of Roman poets such as Publius Papinius Statius. Balde went back to Ingolstadt to finish his theological studies and was consecrated as a priest in 1633. He later became a professor of rhetoric, court preacher, and court historiographer in Munich. He published the majority of his work under his longtime master and close friend Maximilian of Bavaria, who employed him and welcomed him into the royal family. Following Maximillian’s death, Balde returned to a more common Jesuit life as court preacher to Count Palatine Philipp Wilhelm in Neuburg. Balde died in 1668 but was hailed in the nineteenth century as the Bavarian national bard. Most of his works were published after his death, mainly in the twentieth century, and he came to be considered one of the greatest Neo-Latin poets and political commentators.