National Museum of Australia

The National Museum of Australia is situated on Lawson Crescent in the Acton Peninsula of Canberra, Australia. The museum is a social history museum focusing on Australia to preserve the heritage of its people, the nation, and the land. History and culture of Indigenous Peoples are the primary intent of the national museum. In addition, European settlements within the historical context of Australia are a topic of interest, as are aspects of the environment and the interactive relationships that exist between the people and land. Visitors are able to attend the museum and its exhibitions daily from 9 a.m. to 5 p.m., with the exception of Christmas day. The museum houses a shop and café for the public. Educational visits are arranged for schools, and group visits with a specialized tour guide are possible at a cost. In addition to English, a range of languages is available for these tours, including Japanese, Mandarin, Greek, Thai, Laotian, Filipino, Hindi, Dari, Farsi, and Ourdo.

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Background

The National Museum of Australia was inaugurated according to the National Museum of Australia Act 1980 per Commonwealth Consolidated Acts.

The building of the National Museum of Australia is an architectural landmark. The purpose of its jigsaw puzzle design is to demonstrate the stories and histories that are interconnected to comprise the history of Australia. Doors to the new building opened in 2001.

The location of the National Museum of Australia had been a place of gathering for the Ngunnawal and Ngambri peoples. The site was host to ceremonial events of great significance. Goree, the bogong moth ceremony, which took place each year and was attended by all the neighboring nations, was the largest ceremony.

The historical context of this plot of land traces its roots to the communal sharing of culture through celebration. In the same way, the National Museum of Australia signifies the celebration of a place where culture and heritage are given primary honor, together with interconnected knowledge and resources. Both the traditional gathering site and the museum are devoted to celebrating culture, diversity, and heritage by bringing people together.

The museum's newsletter, which is called Goree, incorporates the stories and culture of the Aboriginal and Torres Strait Islander peoples. A sculpture depicting narrabongs (bags) is utilized to provide a historical and cultural narrative. Respect for the land and the materials derived from the land is seen in the use of rusted metal the artist finds to create the work. These materials may be taken from garbage heaps or equipment from nearby farms. The story is one of an interrelationship between the people, the land, and its materials and produce. Within the artwork a cultural story emerges and provides a continuing chain for future generations.

National Museum of Australia Today

The National Museum of Australia's "First Australians Aboriginal and Torres Strait Islander program" is a primary aspect of the museum. Exhibitions presenting the opportunity to explore the diversity of the culture of the Indigenous people are the focus of the museum. This includes attachment to the country and the way in which all contribute to Australian society. The "First Australians" gallery is the largest gallery at the museum, comprising multimedia displays, stories, and focused themes to highlight culture and history.

"Australian history and society since 1788" forms a significant exhibition section of the museum. Here the historical lessons are shown to include the settlement in Australia. The impact of Australia's British colonization is indicated, together with the way the nation has developed politically, socially, and economically. "People and the environment" is part of the exhibition galleries. Narratives are interwoven into the way in which the Australian environment influences the lives of its people. Incorporated into this understanding is a look back to the past and a look forward to the future to enhance knowledge of the ecology. In 2015, Vic McEwan was awarded the Arts New South Wales Regional Fellowship and, as a result, is the artist-in-residence for a twelve-month period at the museum. Creatively, his work draws on the Australian people's connection to the land, which he also chooses to display through multimedia installations.

MINmin is an acronym for Museum Indigenous Network, embodying the networking of opportunities for Indigenous Australians. The double word repetition denotes "abundance" in Indigenous language. MINmin agency was honored with the inaugural Australian Public Service (APS) Indigenous Employment Awards in 2014.

The repatriation team of the National Museum of Australia works diligently to rescue sacred objects and the human remains of the first Australians' ancestors and to return these to the people. This work began in 1980 and has gained national and international recognition. The museum staff has returned over one thousand individuals and three-hundred-sixty secret sacred objects to the indigenous communities. The task and method of returning human remains to custodians as well as artifacts to owners are governed by strict policies, particularly that the return is unconditional. Where a custodian or owner is unable to take possession of the belongings, the museum may store the remains or objects on behalf of the community.

"Encounters" is an exhibition that runs to 28 March 2016. Rare early Aboriginal and Torres Strait Islander artifacts brought over from the British Museum are on display in a synergistic collection of current objects belonging to the indigenous communities.

On 20 November 2015, the National Museum of Australia announced its latest acquisition as the Australian Rules Grand Final winning jumpers and trophies collection of football legend Royce Hart.

The Prince's Charities Australia under the auspices of HRH Prince Charles of the United Kingdom and the National Museum of Australia have initiated scholarships to promote cultural work in the Aboriginal and Torres Strait Islander communities. International programs beginning in 2016 involved a selected group of six young cultural workers who will study for an intensive three-month program at the National Museum of Australia and the Prince's School of Traditional Arts in London.

In 2022, the National Museum of Australia opened following a $25 million redevelopment project. This involved the creation of the Great Southern Land exhibit, which utilizes over 2,000 objects to show how human decisions have impacted the Australian continent. This marked the largest redesign in the museum's history.

Bibliography

Australian Government. National Museum of Australia Act 1980, 22 Nov. 2015. www.comlaw.gov.au/Details/C2011C00274. Accessed 24 Jan. 2025.

Commonwealth Consolidated Acts. National Museum of Australia Act 1980, 22 Nov. 2015. www.austlii.edu.au/au/legis/cth/consol‗act/nmoaa1980297. Accessed 24 Jan. 2025.

Gilmore, Narda. "Rare Glimpse at National Museum of Australia's Hidden Treasures." ABC News, 18 Sept. 2015, www.abc.net.au/news/2015-09-19/rare-glimpse-inside-national-museums-tucked-away-treasures/6780394. Accessed 24 Jan. 2025.

Message, Kylie. The Conversation, 3 Oct. 2022, theconversation.com/finally-bold-and-imaginative-the-first-major-redesign-of-the-national-museum-of-australia-is-a-triumph-190905. Accessed 24 Jan. 2025.

National Museum of Australia. Web. 22 Nov. 2015. www.nma.gov.au/. Accessed 24 Jan. 2025.

Power, Julie. "Encounters at National Museum of Australia: Our Elgin Marbles Come Home." The Sydney Morning Herald. 6 Nov. 2015. Web. 22 Nov. 2015. www.smh.com.au/entertainment/art-and-design/encounters-at-national-museum-of-australia-our-elgin-marbles-come-home-20151104-gkp0nv.html. Accessed 24 Jan. 2025.