Sigrid Undset
Sigrid Undset was a prominent Norwegian author known for her deep exploration of medieval culture and history, particularly in Norway. Born into a family connected to archaeology, she was influenced by her father's scholarly pursuits and developed a keen interest in Scandinavian folklore. Though initially aspiring to be a painter, Undset worked in clerical positions, which informed her literary themes focused on the lives of working-class women. Her breakthrough novel, *Jenny*, published in 1911, established her as a significant voice in literature.
Undset's most acclaimed works include the trilogy *Kristin Lavransdatter*, published in 1929, which is celebrated for its rich portrayal of medieval life and spirituality, earning her the Nobel Prize in Literature in 1928. A devout convert to Roman Catholicism, her faith deeply influenced her writing and outlook on life. After enduring personal tragedies and the impact of World War II, Undset settled in the United States before returning to Norway, where she was honored for her contributions to literature. Throughout her career, she remained a fervent advocate for religious and racial tolerance, often facing criticism for her views during the rise of Nazi ideology. Undset's legacy endures through her extensive body of work that reflects her profound engagement with the themes of history, spirituality, and the human experience.
Sigrid Undset
Norwegian Nobel Prize–winning novelist.
- Born: May 20, 1882
- Birthplace: Kalundborg, Denmark
- Died: June 10, 1949
- Place of death: Lillehammer, Norway
Biography
Sigrid Undset was the daughter of Ingvald Martin Undset, a distinguished Norwegian archaeologist, and Anna Charlotte Gyth from the Danish town of Kalundborg. As a child, Sigrid lived with her mother’s family while her father conducted research in Mediterranean countries. When he became a lecturer at the University of Norway, the family moved to Christiania (now Oslo), where two additional daughters were born. Undset was deeply influenced by her father’s work and applied his scientific rigor to an exploration of medieval culture in Norway. She was educated at a private academy under the direction of the considerate Fru Ragna Nielsen, who permitted Sigrid and her sisters to remain at the school after their father died and financial resources were limited. Despite the expectations of her mother and instructors, Undset had little interest in a university education; she preferred a career as a painter. She enrolled in a business school, however, in order to help support her family.
For ten years, Undset held a clerical position, which, although monotonous, gave her considerable insight into working-class women and their family and social relationships, material that she began to use for short stories and her first novel. During these years as an office worker, her study of Scandinavian folklore became more intense, and she wrote a novel based on Norse legends. However, it was not until the publication of Jenny in 1911 that Undset received widespread recognition as a compelling novelist. The success of this novel allowed her to commit herself to a writer’s career.
In 1912 she married A. C. Svarstad, a Norwegian painter with three children from a previous marriage. Undset and Svarstad had three children together, but after ten years together they agreed to a separation as Undset became more and more imbued with Roman Catholicism. She was convinced that the only true visionaries of history were the Christian saints. Because her husband had married her while divorced, Undset’s marriage was annulled by the Roman Catholic Church, which she joined as a convert from Lutheranism in 1924.
During the following decade, Undset’s greatest books were published. Kransen (The Wreath, also known as The Bridal Wreath), Husfrue (The Wife, also known as The Mistress of Husaby), and Korset (The Cross) became the famous trilogy Kristin Lavransdatter, issued as a single volume in 1929. This signature work is often considered a timeless masterpiece, and it has been translated into several languages. In 1928 Undset received the Nobel Prize in Literature. The Swedish Academy recognized her intimate knowledge of medieval laws, culture, and history, majestically portrayed as a powerful continuity of life; they also noted her ability to weigh the civilizations of the past against those of the present, especially with regard to human fortitude and spirituality. Undset’s other magnum opus is The Master of Hestviken, a tetralogy set in the Middle Ages. This collection comprises The Axe, The Snake Pit, In the Wilderness, and The Son Avenger.
Undset remained a prolific writer throughout the 1930s; numerous short stories, essays, memoirs, historical studies, and contemporary novels were published with regularity until the outbreak of World War II. Chief among these are Saga of Saints and Men, Women, and Places. Much of her later writing reinforces her deep and abiding attachment to Roman Catholicism. Because she was a strong advocate of religious and racial tolerance, the German Nazi propaganda criticized her ideas. Nevertheless, she remained in Norway and volunteered as a government censor until her oldest son was killed during the defense of Norway during the German invasion. She escaped through Sweden with her younger son (her daughter had died a few years before) and made her way to the United States, where she lived through the war years, giving occasional lectures.
Upon her return to Norway, King Haakon VII bestowed upon her the Grand Cross of the Order of Saint Olav, making her the first woman commoner to receive such an honor. In her final years, Undset lived quietly at Lillehammer in a house dating back to Viking times until she died after suffering a paralytic stroke. She collected old lace and other Norse antiques and spent much of her time contemplating those aspects of Norwegian history that amplify the preoccupations and revelations of womanhood.
Author Works
Long Fiction:
Fru Marta Oulie, 1907
Fortaellingen om Viga-Ljot og Vigdis, 1909 (Gunnar’s Daughter, 1936)
Jenny, 1911 (English translation, 1921)
Varen, 1914
Kransen, 1920 (The Bridal Wreath, 1923)
Husfrue, 1921 (The Mistress of Husaby, 1925)
Korset, 1922 (The Cross, 1927; previous 3 novels collectively known as Kristin Lavransdatter, 1929)
Olav Audunssøn i Hestviken and Olav Audunssøn og hans børn, 1925-1927 (The Master of Hestviken, 1928-1930, 1934; includes The Axe, 1928, The Snake Pit, 1929, In the Wilderness, 1929, and The Son Avenger, 1930)
Gymnadenia, 1929 (The Wild Orchid, 1931)
Den brændende busk, 1930 (The Burning Bush, 1932)
Ida Elisabeth, 1932 (Ida Elizabeth, 1933)
Den trofaste husfru, 1933 (The Faithful Wife, 1937)
Madame Dorthea, 1939 (English translation, 1940)
Sigurd og hans tapre venner, 1955 (pb. in German as Die Saga von Vilmund Vidutan und seiner Gefährten, 1931; Sigurd and His Brave Companions, 1943)
Short Fiction:
Den lykkelige alder, 1909
Fattige skjæbner, 1912
Splinten av troldspeilet, 1917 (includes "Fru Hjelde" [Images in a Mirror, 1938])
De kloge jomfruer, 1918
Four Stories, 1969
Drama:
I graalysningen, wr. 1908 (one act)
Poetry:
Ungdom, 1910
Nonfiction:
Et kvindesynspunkt, 1919
Kimer i klokker, 1924
Katolsk propaganda, 1927
Etapper I and II, 1929, 1933 (Stages on the Road, 1934)
Begegnungen und Trennungen: Essays über Christentum und Germanentum, 1931
Elleve år, 1934 (The Longest Years, 1935)
De søkte de gamle stier, 1936
Norske helgener, 1937 (Saga of Saints, 1934)
Selvportretter og landskapsbilleder, 1938 (Men, Women, and Places, 1939)
Tillbake til fremitiden, 1942 (Return to the Future, 1942)
Lykkelige dager, 1947 (Happy Times in Norway, 1942)
Caterina av Siena, 1951 (Catherine of Siena, 1954)
Artikler og taler fra krigstiden, 1953
Romaner og fortellinger fra nåtiden, 1964
Kjare Dea, 1979
Sigrid Undset on Saints and Sinners, 1993 (Deal W. Hudson, editor)
Tolv år, 1998
Miscellaneous:
The Unknown Sigrid Undset: Jenny, and Other Works, 2001 (novel, short fiction, and letters)
Bibliography
Bayerschmidt, Carl F. Sigrid Undset. New York: Twayne, 1970. An introductory study, with chapters on Undset’s life, early works, social novels, middle age, and later novels. Includes notes and bibliography.
Beyer, Harald. A History of Norwegian Literature. Edited and translated by Einar Haugen. New York: New York University Press, 1956. Includes an essay on Undset’s place in the history of Norwegian realism.
Brunsdale, Mitzi. Sigrid Undset: Chronicler of Norway. New York: Berg, 1988. Provides a useful introduction to Norwegian culture and literature, a short biography of Undset, analysis of her early novels and later masterpieces, and a final chapter assessing her achievement. With chronology, notes, and a bibliographical essay.
Hudson, Deal W., ed. Sigrid Undset on Saints and Sinners—New Translations and Studies: Papers Presented at a Conference Sponsored by the Wethersfield Institute, New York City, April 24, 1993. San Francisco: Ignatius Press, 1993. Contains essays titled "A Life of Sigrid Undset," "Sigrid Undset: Holiness and Culture," and "In the Blood: The Transmission of Sin in The Master of Hestviken."
Lytle, Andrew. Kristin: A Reading. Columbia: University of Missouri Press, 1992. Lytle’s reading aims to recover an appreciation for what he deems a neglected twentieth century classic. Lytle, a novelist and critic, provides an especially sensitive, indeed a model, reading of a complex literary work.
Solbakken, Elisabeth. Redefining Integrity: The Portrayal of Women in the Contemporary Novels of Sigrid Undset. New York: Peter Lang, 1992. Examines Undset’s feminism and treatment of woman characters in the long fiction.
Undset, Sigrid. The Unknown Sigrid Undset: Jenny, and Other Works. Translated by Tiina Nunnally, edited by Tim Page. South Royalton, Vt.: Steerforth Press, 2001. A translation of the long-out-of-print Jenny and two other short stories, plus some letters by Undset. Includes a valuable introduction.