In Another Country by Ernest Hemingway
"In Another Country" is a short story by Ernest Hemingway that explores the complex dynamics among an American soldier and five Italian soldiers who are recuperating in Milan after sustaining injuries during war. The narrative is presented from the viewpoint of the American, who finds himself in a unique social setting where he and the Italians confront their physical and psychological scars from the battlefield. The local townspeople harbor resentment towards the young officers, highlighting the disconnection between the soldiers and civilian life.
Within their group, distinctions arise based on their experiences and the nature of their injuries; while the American's medal was awarded for an accidental injury, his Italian counterparts have been recognized for acts of bravery in combat. Their shared experiences in physical therapy sessions foster a bond, yet the American grapples with feelings of inadequacy and fear of death. A notable character in the story is an Italian major, who, despite his prior status as an accomplished fencer, exhibits a disillusionment with concepts of bravery and faces personal tragedy with the sudden death of his wife. This multifaceted narrative delves into themes of identity, loss, and the impact of war, inviting readers to reflect on the shared humanity of individuals shaped by conflict.
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In Another Country by Ernest Hemingway
First published: 1927
Type of plot: Psychological
Time of work: The late 1920's
Locale: Milan during World War I
Principal Characters:
An American officer , a young man being rehabilitated after having been woundedThree Italian officers , young men of the same age who have received medals for their braveryA fourth italian soldier , whose nose was blown off within an hour after arriving at the frontAn Italian major , formerly a great fencer, who is now disabled with a withered hand
The Story
Ernest Hemingway's "In Another Country" describes the relationships that develop in Milan among an American and five Italian soldiers who have been wounded and are receiving physical therapy. The story is told from the perspective of the American. The townspeople, with the exception of the café girls, resent the young men because they are officers; this resentment, in addition to the young soldiers' war experiences, sets them apart from the street life in Milan.

Within their group, however, there are also differences. The American has received a medal for his accidental war injury. Three young Italians from near Milan, in contrast to the American, have received wounds and medals because of bravery in battle. Another young Italian from a good family was wounded after only one hour on the front line. The American feels close to this young man because his bravery could not be tested. After cocktails, the American thinks that he might have done all the things that the Italians did to receive their citations. However, he knows that he "would never have done such things" and acknowledges that he is "very much afraid to die."
All the wounded men go to the hospital every afternoon to use machines for physical therapy. The doctor assures the American that he will again play football even though his knee does not bend. An Italian major, who used to be the greatest fencer in Italy before he was wounded, befriends the American, assisting him in learning to speak Italian grammatically. Although the youth of the American and the Italians is emphasized, the major seems to be more mature. Unlike the three young "hunting-hawks," the major does not "believe in bravery."
Near the conclusion of the story, the major's young wife suddenly dies. He is distraught and lashes out at the American but then apologizes and tells him of his loss. After three days of mourning, the major returns to the hospital wearing a black band on his sleeve.
Bibliography
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Meyers, Jeffrey. Hemingway: A Biography. 1985. Reprint. New York: Da Capo Press, 1999.
Padura Fuentes, Leonardo. Adiós Hemingway. Translated by John King. New York: Canongate, 2005.
Reynolds, Michael. The Young Hemingway. New York: Blackwell, 1986.
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Wagner-Martin, Linda, ed. Hemingway: Seven Decades of Criticism. East Lansing: Michigan State University Press, 1998.