The Basic Training of Pavlo Hummel: Analysis of Major Characters
"The Basic Training of Pavlo Hummel" is a play that explores the complexities of identity and the harsh realities faced by soldiers during the Vietnam War through the character of Pavlo Hummel, an army private and medic. Estranged from his family and struggling with his self-image, Pavlo attempts to navigate military life while grappling with feelings of inadequacy and a desperate need for acceptance from his peers. Despite his bravado, evidenced by exaggerated claims about his past, his vulnerability is evident as he ultimately seeks respect through his actions but often lacks the sincerity required to form genuine connections.
Key characters include Ardell, an imaginary soldier who serves as a mentor figure, imparting wisdom about the nature of war and Pavlo's inner struggles. Sergeant Tower, the drill sergeant, embodies discipline and authority, pushing Pavlo to confront his shortcomings. Other characters, such as Kress and Pierce, represent various responses to military life, with Kress openly disdainful of Pavlo while Pierce focuses on his responsibilities as squad leader.
Pavlo's journey is marked by tragic irony, culminating in his senseless death, which underscores the futility and unpredictability of war. The play addresses themes of masculinity, mental health, and the search for meaning in the face of overwhelming circumstances, inviting audiences to reflect on the personal and societal impacts of military service.
The Basic Training of Pavlo Hummel: Analysis of Major Characters
Author: David Rabe
First published: 1973
Genre: Play
Locale: Georgia, New York, and Vietnam
Plot: Expressionism
Time: 1965–1967
Pavlo Hummel, an army private and medic during the Vietnam War. Pavlo has red hair and green eyes, is five feet, ten inches tall, and weighs 152 pounds. Estranged from his family, Pavlo has had his name legally changed from Michael to spite the father whose identity he has never known. He worries about whether to hug his mother when he returns home. Although he grew up in New York City, Pavlo is inexperienced and innocent; his street-smart persona is an act, and the other men see through it easily. Neurotically obsessed with the impression others have of him, Pavlo lies about his sexual exploits and his experiences in crime. He claims to have stolen twenty-three cars and to have had an uncle who was executed at San Quentin prison for killing four people. He never suspects or realizes that the other men know he is lying and that they are laughing at him. Pavlo thinks that he can win friends by being a good soldier, so he resorts to flattering sergeants and volunteering for difficult tasks. When he realizes that no number of push-ups will win the friendship and respect he craves, Pavlo swallows one hundred aspirin, but he is saved by the squad leader, Pierce. Pavlo is determined to prove himself in the infantry, but he is assigned to be a medic. He follows his orders to the letter but is ashamed of his job and repeatedly asks to be transferred to the battlefield. At one point, Pavlo talks Sergeant Brisbey out of committing suicide, but his efforts lack sincerity. Parham is wounded by Vietcong and cries out for Pavlo's help while Pavlo is asking for transfer. Pavlo carries Parham's body to safety, more out of a desire to impress others with his bravery than out of any concern for Parham. Finally, Pavlo is assigned to the fighting. He is wounded three times and earns the Purple Heart before he wants out, but ironically his request is refused. Pavlo is killed in a senseless incident arising from a fight over a prostitute. A grenade rolls into the room, and Pavlo scoops it up and is holding it when it explodes. He takes several days to die. Despite the changes in Pavlo as he becomes harder and more cynical, the young man never acquires any real insight.
Ardell, a soldier Pavlo creates in his fantasies. A black man in sunglasses and a strange uniform with black ribbons and medals, Ardell enters and exits throughout the play to advise Pavlo. Ardell's is an experienced and prophetic voice; the soldier teaches Pavlo about the Army and war. Ardell says that Pavlo is black inside, hiding such intense pain that the young man cannot even see himself clearly.
Sergeant Tower, the drill sergeant. A tough black man, Tower singles out Pavlo and makes him do punitive push-ups on the first day of basic training. Throughout the play, Tower gives instructions on combat and first aid. He tells the soldiers what to do when they are lost.
Kress, one of the men in Pavlo's unit. Large and muscular, Kress does not understand much. He flunks the proficiency test and has to repeat basic training. Kress constantly complains about being cold, even in the furnace room. Kress despises Pavlo.
Yen, a Vietnamese prostitute. Dressed in purple silk pajamas, Yen is the first woman with whom Pavlo has sex; he visits her regularly.
Pierce, the squad leader. Pierce does not participate in the harassment of Pavlo, but he understands why the other men dislike him. Pierce's main concern is his responsibility as leader. He is afraid of how violent incidents will reflect on him, tarnishing his military record.
Sergeant Wall, a friend of Sergeant Brisbey. After being beaten in a fight with Pavlo over Yen, Wall throws a grenade into the room.
Sergeant Brisbey, one of Pavlo's patients. Brisbey stepped on a mine and as a result lost his testicles, both legs, and one arm. He is bitter and wants to kill himself.
Mickey, Pavlo's half brother. Tougher than Pavlo, Mickey does not care what others think. He is a womanizer and heavy drinker and is disrespectful of their mother.
Mrs. Hummel, Pavlo's mother. A small, dark-haired, plump, fashionably dressed woman, Mrs. Hummel appears distracted when Pavlo returns home. She recounts a story of a mother who learns that her son was killed in Vietnam.