The Boys of Summer by Roger Kahn

First published: 1972

Type of work: Memoir/cultural criticism

Time of work: 1927-1972

Locale: New York and Los Angeles

Principal Personages:

  • Roger Kahn, the author
  • Gordon Kahn, the author’s father
  • Olga Kahn, the author’s mother
  • Jackie Robinson, the first black man to play major-league baseball
  • Branch Rickey, the owner of the Brooklyn Dodgers who signed Jackie Robinson in 1946
  • Walter O’Malley, the owner of the Dodgers who moved the team to Los Angeles in 1958
  • Joe Black, a pitcher for the 1952-1953 Dodgers
  • Roy Campanella, a catcher for the 1952-1953 Dodgers
  • Billy Cox, a third baseman for the 1952-1953 Dodgers
  • Carl Erskine, a pitcher for the 1952-1953 Dodgers
  • Carl Furillo, a right fielder for the 1952-1953 Dodgers
  • Gil Hodges, a first baseman for the 1952-1953 Dodgers
  • Clem Labine, a pitcher for the 1952-1953 Dodgers
  • Andy Pafko, a left fielder for the 1952-1953 Dodgers
  • Pee Wee Reese, a shortstop for the 1952-1953 Dodgers
  • Preacher Roe, a pitcher for the 1952-1953 Dodgers
  • George Shuba, a utility outfielder for the 1952-1953 Dodgers
  • Duke Snider, a center fielder for the 1952-1953 Dodgers

Form and Content

By 1968, when he began work on The Boys of Summer, Roger Kahn had progressed from copy boy at the old New York Herald Tribune, where he began work in 1948, to editor-at-large for The Saturday Evening Post. Kahn had established himself as a sportswriter with the Herald Tribune before switching to a more prestigious job at Sports Illustrated in 1954. From 1956 to 1960, he served as sports editor for Newsweek. Kahn then worked as a highly successful free-lance writer before taking the job at The Saturday Evening Post in 1963. By this time, Kahn had moved beyond sports and had become recognized as a deft commentator on a broad range of contemporary topics. Along the way he edited The World of John Lardner (1961) and wrote Inside Big League Baseball (1962), the latter aimed at a juvenile audience. Kahn published his third book, The Passionate People: What It Means to Be a Jew in America, in 1968.

The Boys of Summer brought Kahn back to his first important sportswriting assignment, reporting on the Brooklyn Dodgers during the 1952 and 1953 baseball seasons. During this period, Kahn established himself as a writer of extraordinary promise. He also won the respect of the ballplayers about whose success and failures he reported. Without the willing cooperation of these players some fifteen years later, The Boys of Summer could not have been written. Kahn goes back further still, baring his personal roots. Born in Brooklyn to a Jewish family far more interested in literature and politics than religion, Kahn early became fascinated with baseball, and a particular baseball team, the Brooklyn Dodgers. The catalyst for this relationship between boy and team was Kahn’s father, Gordon, a history teacher and primary fact man for the radio program Information Please. Kahn’s mother, Olga, on the other hand, was deeply dismayed at her son’s enthusiasm for baseball and often expressed her disapproval. This opposition helped to forge a bond between father and son, one very much alive in Kahn’s book. It is not surprising, therefore, that The Boys of Summer is dedicated to the memory of Gordon Kahn, who died in 1953, about the time his son’s assignment covering the Dodgers also came to an end.

Kahn’s book is divided into two major parts. After a brief introduction, book 1, “The Team,” describes Kahn’s coming-of-age, his introduction to the world of journalism, and his experience covering the Dodger team for the Herald Tribune. Kahn introduces the reader to his parents, grandparents, and sister and some colorful family friends. Kahn describes his passion for baseball, his visits to Ebbets Field (home park of the Dodgers), and his coming to realize the limits of his own playing ability. With the help of his father, Kahn landed a job at the Herald Tribune. The reader is then introduced to the high-pressure world of a mid-century big-city newspaper. Kahn got an opportunity to write and, after a decent interval, was offered the Dodger assignment; he accepted. Then Kahn presents some of his more illustrious fellow writers, the vagaries of life on the road, and, most important, the “boys of summer” themselves, the “Jackie Robinson Dodgers.” Kahn follows this talented, successful, but ultimately star-crossed team for two years, offering glimpses of the players, manager Charlie Dressen, and several front-office figures. Book 1 ends with Kahn’s resignation from the Herald Tribune, the firing of Dressen, and the death of Kahn’s father.

After a brief interlude, book 2, “The Return,” jumps forward fifteen years, following the fortunes of thirteen former Dodgers during the period from 1968 to 1972, Kahn crisscrossing the country in search of his subjects. Each Dodger gets a chapter to himself. While some are drawn in more detail than others, these character sketches constitute the heart of Kahn’s book. It soon becomes clear that these are players whose years in baseball preceded the era of free agentry and multiyear, multimillion-dollar contracts. The team owners were firmly in command. As a result, few players left the game wealthy. Some Dodgers later did well for themselves financially, personally, and professionally, while others experienced difficulties. While some of the old Dodgers resemble the heroes fans once imagined them to be, others emerge as all too human.

The book closes with another interlude, acknowledgments, and then an epilogue that takes in the deaths of Gil Hodges and Jackie Robinson, two of Kahn’s 1952-1953 Dodgers.

Critical Context

Kahn was not the first author to achieve literary distinction through the medium of baseball. Before Kahn was born, Ring Lardner had produced baseball stories of unquestionable literary merit. Bernard Malamud had already published The Natural in 1952. Nor was Kahn the first to present a behind-the-scenes account of real-life baseball. In 1960, Jim Brosnan, a pitcher for the Cincinnati Reds, had published The Long Season, a very popular nonfiction portrayal of life in the big leagues. Brosnan’s revelations were tame compared to those in Jim Bouton’s Ball Four (1970). Thus the public was about as disillusioned as it could get by the time Kahn’s book was published. Nevertheless, Kahn did break new ground with The Boys of Summer, achieving a rich combination of baseball lore, profound characterization, and social commentary in a nonfiction work of high literary quality. This penetrating treatment of American popular culture helped to lay the groundwork (and reveal a market) for a string of high-quality nonfiction works on baseball by authors such as Roger Angell and Thomas Boswell.

Kahn himself also has returned several times to the subject of baseball. A Season in the Sun (1977) is a collection of in-depth articles on various college, minor-league, and major-league baseball happenings during the 1976 season. Providing a loose sequel to The Boys of Summer, the book is dedicated to Kahn’s mother. The Seventh Game (1982) is a raucous baseball novel. Good Enough to Dream (1985) recounts Kahn’s experience as the owner of an independent team in the low minors. While only the last book has met with critical success comparable to that of The Boys of Summer, all three have achieved wide readership. In them, Kahn has continued to pay homage to the game of baseball, finding in it the stuff of truly universal human concerns.

Bibliography

Campanella, Roy. It’s Good to Be Alive, 1959.

Neugeboren, Jay. “Ebbets Field,” in On the Diamond, 1987. Edited by Martin Greenberg.

Peterson, Robert. Only the Ball Was White, 1970.

Ritz, David. The Man Who Brought the Dodgers Back to Brooklyn, 1981.

Voight, David Q. America Through Baseball, 1976.