Come Alive at 505 by Robin F. Brancato

First published: 1980

Type of work: Domestic realism

Themes: Coming-of-age, jobs and work, and friendship

Time of work: The late twentieth century

Recommended Ages: 13-15

Locale: Winfield, New Jersey

Principal Characters:

  • Danny Fetzer, a high school senior who fantasizes about being a disc jockey
  • Helen Fetzer, his mother, who considers his desire to become a disc jockey unthinkable and disgraceful
  • Norman Fetzer, his father, who does not consider a career in radio a worthwhile choice
  • Martin “Marty” J. Mc Gowen, his friend, who plots with him to get a fictitious senior elected class president
  • George Varek, a problem student who experiments with drugs
  • Mimi Alman, an overweight girl who lacks self-confidence
  • Tom Rose, a naive friend of Danny and Marty, who becomes upset when he learns of the school-president hoax

The Story

Come Alive at 505, through plot and setting, can be classified as an example of domestic realism. In this adolescent novel, the problems confronting the major character, Danny Fetzer, are those that can be found in an average, commonplace family. Danny, a seventeen-year-old high school senior, is caught in a dilemma: His parents want him to go to college, but he wants to become a radio disc jockey.

Danny, who has been an avid radio listener from an early age, sets up an imaginary radio station in his bedroom, where he spends many hours recording and assuming the role of Danny Forsythe on the imaginary radio station WHUP (505 on the AM dial). His friend Marty becomes an active participant in Danny’s efforts to become a success.

Entwined with Danny’s conflict with his parents are two additional conflicts. Early in the novel he falls in love with Mimi Alman, who is in a constant battle with herself to overcome her obesity and lack of self-confidence. Mimi reveals to Danny that she had taken pep pills supplied by George Varek, resulting in her addiction and submission to a sexual encounter. George’s experiences as a drug user and pusher constitute the story’s other secondary conflict.

Duncan High School students, according to Danny and his friends, are the epitome of apathy. To make the school “come alive,” the friends enter the nonexistent John Custer as a candidate for class president. Come alive the school does, but not before the plot is discovered. As punishment for his role in the prank, Danny is given responsibility for fundraisers at the Guinness Day festivities.

Danny enters and wins a local contest; his triumph allows him to gain a firsthand view of the radio industry. During his interview, Danny observes Jim Dolan and other staff of station WWTM; Danny discovers that all the personnel at the station except for Dolan are college graduates. Fascinated with all that he sees, Danny concludes that he would do anything to become a radio disc jockey, even go to college. In the end, he decides to take the part-time job offered to him at the radio station and to attend college as well. Both he and his parents are pleased with this arrangement.

Context

Come Alive at 505 is Brancato’s fifth book published by Alfred A. Knopf. This novel fits in with Brancato’s other books that have been written for young people. She is noted for writing stories based on her own childhood experiences (such as Don’t Sit Under the Apple Tree, 1975) and her adult work as a teacher (as in Winning, 1977). One of her goals has been to write stories that challenge young readers to respond personally to dilemmas faced by her characters. For example, “would life still be worth living if you lost movement in your body? How far should you go to influence a brother who has chosen to follow a belief you disapprove of? What would you do if a once-beloved grandmother lost touch with reality?” Her books are written to ask questions rather than provide answers.

Thus, Come Alive at 505—written after Brancato gained hands-on experience as a teacher of English, journalism, and creative writing, and as the mother of two sons—has contributed to the genre of juvenile fiction by providing challenging questions and not answers for those who read the book, whether juveniles or adults.