Conversation in the Cathedral: Analysis of Setting
"Conversation in the Cathedral" by Mario Vargas Llosa is a novel that intricately weaves the setting of Lima, Peru into its narrative, providing a backdrop rich with cultural and social significance. Lima serves as the capital and cultural heart of Peru, characterized by a slower pace and a dreamlike atmosphere, particularly marked by the mists that envelop the city from May to October. This unique setting influences the characters and their interactions, particularly in a bar or cheap restaurant referred to as the "Cathedral," where the protagonist, Santiago Zavala, engages in a revealing conversation with Ambrosio, a dog pound worker.
As their dialogue unfolds, the story delves into themes of corruption, injustice, and the complexities of father-son relationships, reflecting Vargas Llosa's personal experiences and observations of societal dynamics in Lima. The conversation serves as a lens through which a broader array of characters—representing various facets of Peruvian society—are introduced, contributing to a deeper understanding of the nation's political and social fabric. Ultimately, the setting of Lima not only grounds the narrative but also enhances the exploration of interconnected lives and moral ambiguities faced by its characters.
Conversation in the Cathedral: Analysis of Setting
First published:Conversación en la catedral, 1969 (English translation, 1975)
Type of work: Novel
Type of plot: Social realism
Time of work: 1960’s
Asterisk denotes entries on real places.
Places Discussed
*Lima
*Lima. Capital city of Peru. Mario Vargas Llosa often draws from his personal experiences to write about corruption and injustice in modern Latin America. In this novel he uses his intimate knowledge of Lima as the basis for his story. As a young man, he spent two years at Lima’s Leoncio Prado Military Academy, where his father sent him after discovering that he wrote poetry, to him, an unmasculine pursuit. Vargas Llosa found the school’s restrictions, discipline, and bullying atmosphere unbearable. His first novel, The Time of the Hero (1962), portrayed the institution, and many of his works focus on father-son relationships.
In the 1950’s, Vargas Llosa worked as a journalist at Lima’s La Cronica and Radio Panamericana. Conversation in the Cathedral draws on the political atmosphere in Lima during this period. Lima is Peru’s cultural and business center. It runs at a slower pace than many South American cities; its rhythm is more traditional and its people reflect a steadier, calmer constitution. Lima’s atmosphere has been described as dreamlike, partly because of the mists that settle over the city between May and October. Under its blanket, residents meet at bars offering folk and Creole music, shop at open marketplaces, and dine at Lima’s celebrated restaurants.
Cathedral
Cathedral. The “Cathedral” of the novel appears to be a bar or cheap restaurant. There, Santiago Zavala, a thirty-year-old journalist, meets with Ambrosio, a man working at the dog pound, where Santiago has gone to collect his own dog, which had been seized in a roundup of rabid animals. As their conversation progresses, Santiago gets drunk from drinking too much beer and taking in the oppressive memories and shocking revelations arising in the conversation. For example, he learns that his ostensibly respectable upper-class father has been cheating his chauffeur, who happens to be Ambrosio. Moreover, Ambrosio has murdered a woman who was blackmailing Santiago’s father.
Gradually, their conversation reveals a cast of interrelated whores, maids, ministers, bureaucrats, generals, senators, businessmen, cops, madams, and strong-arm men who fit together to fill out the jigsaw puzzle that is Lima and the nation of Peru itself. Although the conversation in the Cathedral is never reported in full and thus never clears up all the questions it raises, it does let loose a kind of labyrinth of memories and associations that form the novel’s narrative.
Bibliography
Castro-Klaren, Sara. Understanding Mario Vargas Llosa. Columbia: University of South Carolina Press, 1990. Provides an introduction to the life and writings of Vargas Llosa and explicates his most important works. Bibliography.
Gerdes, Dick. Mario Vargas Llosa. Boston: Twayne, 1985. Good overview of Vargas Llosa’s fiction in a historical and social context. Bibliography.
McMurray, George R. “The Novels of Mario Vargas Llosa.” Modern Language Quarterly 29, no. 3 (September, 1968): 329-340. Discusses structural and thematic concerns in Conversation in the Cathedral.
Rossman, Charles, and Alan Warren Friedman, eds. Mario Vargas Llosa. Austin: University of Texas Press, 1978. Examines individual novels as well as major themes and concerns of Vargas Llosa’s work.
Williams, Raymond L. Mario Vargas Llosa. New York: Frederick Ungar, 1986. Introduction to Vargas Llosa’s works. Bibliography.