The Cypresses Believe in God by José María Gironella
"The Cypresses Believe in God" by José María Gironella is a novel set against the backdrop of the Spanish Civil War, exploring complex themes of faith, loyalty, and the clash of political ideologies. The story follows the Alvear family, particularly focusing on Matías, who is indifferent to religion, and his devout wife, Carmen, as they navigate life in Gerona after their move from Málaga. Their sons, Ignacio and César, experience contrasting paths—Ignacio grappling with his political beliefs and personal relationships, while César becomes involved in social work despite personal challenges.
As the narrative unfolds, the political climate in Spain shifts dramatically, introducing elements of anarchism, communism, and fascism, which permeate the lives of the characters. The burgeoning civil unrest culminates in violent confrontations that deeply affect the Alvear family, ultimately leading to tragic outcomes, including the execution of family members. The novel delves into the moral dilemmas faced by individuals amid societal upheaval, highlighting the intersection of personal faith and political conviction. Gironella's work offers a poignant reflection on the human condition during one of Spain's most tumultuous periods, inviting readers to contemplate the broader implications of belief and ideology.
On this Page
The Cypresses Believe in God by José María Gironella
First published:Los cipreses creen en Dios, 1953 (English translation, 1955)
Type of work: Novel
Type of plot: Historical realism
Time of plot: 1931-1936
Locale: Gerona, Catalonia, northeastern Spain
Principal characters
Matías Alvear , a telegraph operatorCarmen Elgazu , his wifeIgnacio , ,César , andPilar , their childrenMosén Alberto , a priestDavid andOlga Pol , teachers
The Story:
Matías Alvear is transferred by his government employer from Málaga, where his children were born, to Gerona. Though Matías is indifferent to religion, his wife Carmen is very devout and gives her children a strong religious upbringing. Ignacio enters the seminary when he is ten but after a few years decides that he does not want to be a priest. He goes to work in a bank while going to high school at night. In the meantime, César enters another seminary when he is old enough. During this period, Spain becomes a republic in 1931.
After being reproached by Ignacio for being indifferent to the poor, César learns how to be a barber, shaving and cutting the hair of the disabled and the poor. He teaches the slum children reading and arithmetic, but he is forbidden by the railroad workers to teach them the catechism. Ignacio begins studying with David Pol and his wife Olga, a very modern couple. His anarchist cousin José visits from Madrid and gets involved in heckling at conservative political meetings. José and Ignacio are involved in a riot disrupting a dance called to distract attention from a strike.
Ignacio is upset after visiting the insane asylum and finding that the inmates are fed spoiled food. He is expelled from an anarchists’ meeting when he objects to destroying the printing press, housed in the local orphanage, on which the conservative paper is printed and which provides the orphanage with much of its income. Doña Amparo, wife of the policeman Julio García, seduces Ignacio.
The anarchists destroy the orphanage’s print shop and are arrested, but they are released since no one can prove their guilt. Ignacio passes his examinations and, while vacationing at the seashore with his family, meets Ana María. She is of a higher social class (her father is a businessman) but tired of the señoritos (little gentlemen) and finds Ignacio refreshing. After the summer visit, Ignacio does not answer her letters but instead has an affair with the prostitute Candela, from whom he contracts a venereal disease. After his recovery he reforms, makes a good confession, and is forgiven by his family.
Catalonia declares autonomy from the Spanish central government. A general strike in Gerona called to support this autonomy is countered with martial law. Soldiers storm a meeting of autonomy supporters, and the major is shot by the deputy Santeló. Those at the meeting are imprisoned, among them David, Olga, and Julio García. Mosén Alberto ministers to those imprisoned but most reject his efforts. While the Costa brothers are in jail, their sister Laura institutes reforms in their industries, such as a clinic and a child-care center, under the guidance of Mosén Francisco. Major Martínez de Soria tries those imprisoned and tells Julio that he will be shot if the real culprit is not disclosed. Information from Barcelona implicates Santeló, who is executed. The other prisoners are released, but Julio loses his post as police chief.
Mateo Santos organizes a cell of the Fascist Falange, while Cosme Vila quits his job at the bank to open Communist Party headquarters. Ignacio falls in love with Marta Martínez de Soria, whose brother joins the Falange and is killed in Valladolid. The Popular Front, a merger of all leftist parties, wins a violence-plagued election. Julio returns as chief of police, while David and Olga become commissioners of education and forbid the clergy and nuns to teach while wearing religious habits. The anarchists call a general strike; when it is broken, they set off bombs. To discredit them, the Communists bomb the Diocesan Museum, killing one of Mosén Alberto’s maids. At a meeting in the Albéniz theater, the Communists state their demands, including a Workers’ Militia and Julio being replaced. The Socialists and liberals demur. After Julio rejects most of the Communist demands, the Communists proclaim a general strike, burn a Christian Brothers church and school, and lynch the sexton. Mateo and his Falangist comrades beat up Dr. Relken, a German archaeologist whom they suspect of being a spy, and go into hiding.
The general strike spreads. The Communists get food for the strikers from the tenant farmers, who withhold the share due their landlords, but give the food only to Party members. The Workers’ Militia begins to drill but is sent home by the police (headed by Julio). Cosme Vila is arrested but rescued by the truckers bringing food for the strikers. Gerona becomes polarized between Left and Right. The assassination of the Rightist leader José Calvo Sotelo triggers a civil war in Spain that began with a military insurrection in Africa. Major Martínez de Soria and the Falange occupy Gerona and release the landowners who were imprisoned for owning firearms. When the military in Barcelona is defeated and surrenders, those in Gerona follow orders and yield. Julio and the Loyalist officers arrest Major Martínez while the Communists and Anarchists storm the barracks and get arms. Since Julio will not let them murder the officers who surrender, the militia burns churches, commandeers cars and garages, and arrests suspects.
A revolutionary committee organizes a series of executions. The Alvear family is guarded by a militiaman to whom Ignacio once gave blood, but they are unable to save César, who returns from Collell and is arrested while trying to protect communion wafers from desecration. He and several others are executed; his last view is that of Mosén Francisco, who disguises himself as a militiaman and gives those executed the last rites.
Bibliography
Boyle, John F. “True Fiction.” Commonweal 130, no. 12 (June 20, 2003). Boyle discusses The Cypresses Believe in God, praising the novel for its well-conceived story and its ability to give “shape, color, and substance in understanding the Spanish Civil War.”
Ilie, Paul. “Fictive History in Gironella.” Journal of Spanish Studies 2 (1974): 77-94. Shows that Gironella points out relationships between the novel and historical events of the time. Citations from the novel are all in the original Spanish.
Preston, Paul. Revolution and War in Spain, 1931-1939. New York: Methuen, 1984. This set of twelve essays shows that the Spanish Civil War was not one but many wars. Pertinent to the background of The Cypresses Believe in God are the essay by Frances Lannon on the responsibilities of the anticlericals and of the Catholic Church in polarizing Spanish society in the 1930’s and the chapter by Juan Pablo Pusi on the conflicts between the micronationalism of Catalonia and the Second Republic.
Thomas, Gareth. The Novel of the Spanish Civil War. New York: Cambridge University Press, 1990. Gironella’s trilogy receives a chapter-length discussion, and the introductory chapters are valuable in providing a context for the novel. The citations from Gironella and his critics are all in the original Spanish or French.