A Dreambook for Our Time: Analysis of Major Characters
"A Dreambook for Our Time: Analysis of Major Characters" delves into the complex lives of individuals navigating life in postwar Poland. The central character, Paul, serves as a wandering antihero grappling with guilt stemming from his wartime experiences and the loss of his parents. His journey reflects a search for meaning and connection, yet he remains emotionally detached, unable to reconcile his desires for love and forgiveness.
Supporting characters, such as Regina, a village grocery manager seeking a better life, and Joseph Car, the enigmatic leader of a local cult, further illustrate the themes of hope and disillusionment. Other characters include Jasiu Krupa, who bears the scars of war and personal loss, and Count Pac, a man who grapples with his aristocratic background in a changing society. The narrative captures the impact of unresolved pasts and the quest for redemption among villagers facing an uncertain future due to a dam project that threatens their way of life. Overall, the character dynamics encapsulate the broader struggles of a nation in the aftermath of conflict, reflecting a poignant exploration of human resilience and the complexities of personal history.
A Dreambook for Our Time: Analysis of Major Characters
Author: Tadeusz Konwicki
First published: Sennik wspoczesny, 1963 (English translation, 1969)
Genre: Novel
Locale: Poland
Plot: Impressionistic realism
Time: The 1930's to the early 1960's
Paul, the narrator, an antihero who wanders Poland in an effort to escape his largely undeserved feelings of guilt, to find some meaning in his life and that of his war-ravaged country, and to awake from the nightmare of his unfinished past that includes the death of his parents and his experiences during the war in the Polish underground. Equating belief with surrender, he remains aloof, struggling to be loyal to himself without having to betray anyone else. The novel begins shortly after his attempted suicide and ends with his leaving the remote Polish village alone, his desires for love, forgiveness, and meaning still unfulfilled.
Regina (reh-JEE-nah), an attractive but no-longer-young manager of the village grocery cooperative. She leaves the village in search of a better life only to return and marry Debicki, a railroad foreman. Paul describes her stock of cosmetics as “a secret arsenal of female captivity, of female hope. A laboratory of forgery.”
Joseph Car, the “Baptist,” a tall, dark leader of a local cult that is a more or less secular, or nonfaith, religion of hope. Car, an epileptic, is, or appears to be, the informer that Paul was ordered to execute during the war but could not, associating him in his mind with his own dead father. Car is the figure Paul would like to forget but cannot.
Justine, Car's wife, an orphan and self-proclaimed enchantress. Paul is drawn by her “lustful softness” but fails to convince her to leave Car and the village and begin a new life with him.
Miss Malvina Korsak (mahl-VIH-nah KOHR-sahk), a sixty-five-year-old woman. She and her brother own the house in which Paul rents a room. One of Car's most ardent followers, she repeatedly urges Paul to join them in their daily prayers. Although she also urges him to forget his past, she keeps her own past very much alive with endless nostalgic references to her previous life “back home in the East.”
Ildefons Korsak (ihl-deh-FONS), her brother. He has fought for the czar, the kaiser, the Bolsheviks, and the Poles. More recently, he has been writing a book in which he claims to have put everything everyone has forgotten, but he destroys the manuscript when he discovers that his sister has secretly read it. Like most of the other villagers, he has gotten used to living in the village, which a dam project will soon flood. He does not want to leave and does not know where he will go.
Jasiu Krupa (YAH-syew KREW-pah), known as “the partisan” and suspected of being a Jew. He is a man embittered by the loss of an arm, the murder of his family, dismissal from a position of power in the postwar government because he had no education, and the spurning of his amorous advances by Regina. Vodka and the special painkilling tea he brews are his sole escapes.
Count Pac, a stuttering and long-faced man who denies his aristocratic background and goes out of his way to espouse the new creed of democracy.
Romus (RAH-moos), a slow-thinking, slow-footed villager who is suspicious of anything or anyone that is new, especially Paul, whom he urges to go away.
Szafir (shah-FIHR), the usually reticent local Communist Party official. Trapped with Paul in an abandoned house that they assume will soon be swept away by the swollen Sola River, he divulges his most secret thoughts about the need to help one another and about the burden of regret. Although they survive their ordeal, Szafir dies soon afterward, apparently of consumption, the disease that killed Paul's father.
Huniady (hew-NYA-dih), the pseudonym of the once legendary but now largely forgotten partisan-turned-bandit who, refusing the amnesty that Krupa and the other partisans accepted, lived—perhaps continues to live—alone in the Solec forest.
Father Gabriel, a monk and farm laborer. He invites Paul to visit the monastery to see the collection of old books and liturgical vessels and to find refuge from the flooding river.
Sergeant Glowko (GLOV-koh), an incompetent local policeman. He spends much of his time either hurrying back to his ill-tempered wife or hiding from her.
Korvin, one of the men for whom Paul is searching. Korvin is his code name from the Polish underground, in which he worked first under the command of Paul (“Oldster”), then later, after Oldster disobeyed his superiors and ordered Korvin to murder German prisoners, as Paul's commander. Korvin believed he had to find and kill his brother, a Bolshevik, who betrayed the underground; only in this way will he, Korvin, be able to free himself of his burden of guilt and shame.
Debicki, the foreman of the railroad work crew that includes Paul, Pac, and Krupa. He marries the desperate Regina, mistakenly believing that they will be able to make a new life. The building of the railroad typifies the absurdity of his and the other villagers' situation and that of postwar Poland. The line is completed just as the entire area is about to be flooded by a government dam project.