The Emperor's New Clothes by Hans Christian Andersen
"The Emperor's New Clothes" is a classic fairy tale by Hans Christian Andersen that critiques the foolishness and vanity often found in those in positions of power. The narrative follows an emperor who is obsessed with his appearance and spends lavishly on his wardrobe. Two con artists arrive, claiming to create a magical fabric that is invisible to those unfit for their roles or perceived as foolish. As the swindlers pretend to weave the nonexistent cloth, the emperor, his officials, and the entire court, fearing to appear incompetent, all feign admiration for the invisible garments. Ultimately, during a public procession, the emperor parades in his "new clothes," leading to the revelation by a child who innocently declares that he is wearing nothing at all. This pivotal moment exposes the collective denial of the court and the emperor's pride. Andersen's tale serves as a cautionary story about the dangers of self-deception and the importance of honesty, as well as the refreshing honesty of children who have not yet succumbed to societal expectations. The story continues to resonate as a commentary on human behavior and authority, inviting readers to reflect on the truths that often go unspoken in society.
The Emperor's New Clothes by Hans Christian Andersen
Excerpted from an article in Magill’s Survey of World Literature, Revised Edition
First published: “Kejserens nye klaeder,” 1837 (collected in The Complete Stories, 2005)
Type of work: Short story
The Work
Based on a Spanish story from the fourteenth century, this tale was so cleverly altered by Andersen that it is still cited as an example of the foolish behavior of those in authority. He changed the Moorish king to an emperor. He reduced the number of swindlers from three to two. Most significantly, he changed the magic quality of the cloth so that those who could not see it were presumed either “unfit for their posts or hopelessly stupid.”
The vain emperor spends his time and money on his only interest—his wardrobe. Along come two men who claim to be able to create a magic cloth. They are given money, silk, and gold thread without limit to complete this marvelous fabric. The fabric will be made into clothing for the emperor. The two men work on an empty loom, pretending to weave, while pocketing all the money and supplies.
Curious about the enterprise, the emperor first sends his honest prime minister to report on the progress, but when the old man sees nothing, he is afraid to tell the truth for fear it means he is unfit for his post or hopelessly stupid. The prime minister repeats to the sovereign what the swindlers tell him about the glorious design and wonderful colors of the cloth. Next, the emperor sends a second official with the same result.
At this point the emperor decides to see the fabric for himself, but both the emperor and the courtiers with him are afraid to say that they see nothing but an empty loom. When the day comes for the emperor to don the suit made from the nonexistent cloth, everyone pretends that it is real. The emperor heads a public procession in his underwear, with the crowd continuing the pretense.
Then, in innocence, a little child speaks: “But he hasn’t anything on!” This fact is whispered from person to person; all the spectators shout the truth. The emperor says to himself: “I must go through with it, procession and all,” and, drawing himself up still more proudly, he continues to walk with his chamberlains following—carrying the train that is not there.
It is only the child who has not yet become corrupted by the world who will tell what he or she sees. Another implicit moral lies in the emperor’s knowing that he has been swindled, but refusing to acknowledge his error publicly.
Bibliography
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Godden, Rumer. Hans Christian Andersen: A Great Life in Brief. New York: Alfred A. Knopf, 1954.
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