Equus by Peter Shaffer
"Equus" is a powerful play by Peter Shaffer that explores the complex interplay between passion, sanity, and the search for identity. The story centers on Martin Dysart, a child psychiatrist who is tasked with treating Alan Strang, a troubled adolescent who has committed the shocking act of blinding six horses. As Dysart delves into Alan's psyche, he uncovers a deeply rooted relationship between the boy and the horses, particularly a godlike figure he names Equus, which symbolizes both worship and obsession.
The narrative unfolds against the backdrop of Alan's seemingly ordinary family, where underlying tensions complicate his struggles. Dysart's journey into Alan's mind reveals profound themes of repression, the search for meaning, and the cost of conformity. As Alan recounts pivotal moments from his life, including his initial encounter with horses and the subsequent events leading to his violent act, the play raises questions about the nature of normalcy and the sacrifices made in pursuit of it.
Ultimately, "Equus" challenges the audience to consider the consequences of suppressing one's passions and the impact of societal expectations on individual identity. Dysart's realization that helping Alan may strip away the very essence of his fervor leaves him grappling with the implications of healing versus the exhilarating chaos of true devotion. This thought-provoking exploration of the human spirit invites reflection on the delicate balance between sanity and the wildness of passion.
Equus by Peter Shaffer
First produced: 1973; first published, 1973
Type of work: Drama
Type of plot: Psychological realism
Time of plot: Late twentieth century
Locale: Great Britain
Principal Characters
Martin Dysart , a child psychiatristAlan Strang , a disturbed boy of seventeenFrank Strang , Alan’s fatherDora Strang , Alan’s motherHesther Salomon , a magistrateJill Mason , a worker at the stablesHarry Dalton , the owner of the stables
The Story
Martin Dysart, a child psychiatrist, recognizes that his life is filled with emptiness and pain. He is confronted by this recognition through his treatment of Alan Strang, an adolescent who inexplicably blinds six horses with a horsepick. It is a crime that shocks and outrages the owner of the stables, who believes that Alan should be imprisoned. However, Hesther Salomon, the magistrate in charge of the case, recognizes a deep need in the boy, and she brings him to Dysart hoping that he can make the boy “normal.” Dysart comes to recognize that he can, but at a terrible cost.
At first distrustful of Dysart, Alan sings jingles to block Dysart’s overtures. Unperturbed, Dysart begins seeing Alan and then begins to make inquiries. He finds the Strang household to be absolutely normal superficially, but, beneath this appearance of normality, strange tensions vibrate. Mr. Strang is dictatorial and repressed; Mrs. Strang is filled with religious mania. Neither is able to deal in any real way with what happened.
Alan himself seems unable to deal with his actions, and Dysart works to find ways to allow Alan to tell him things that will help to explain the blinding of the horses. Using a small recorder, Alan tells Dysart of his first encounter with a horse on a beach when he was six years old. A rider took him up and down through the surf, Alan glorying in the ride until his enraged father pulled him down from the horse, claiming that the horse and rider were menaces to safety. For Alan, it was a moment of great passion; it began his sense of a godlike spirit in horses, a god he named Equus.
From Mr. Dalton, Dysart learns that Alan was introduced to the stable by Jill Mason, and at first he believed that he found a good worker, since Alan did much more than his share of grooming the horses and cleaning the stables. Oddly, however, Alan never rode the horses, though Mr. Dalton suspected that periodically they were ridden at night. Clearly, Alan was passionately fascinated by horses; in fact, he worshiped the god Equus in them, something Mr. Strang discovered disconcertingly when he saw Alan chanting before a picture of a horse, putting a bit in his own mouth, and beating himself.
Dysart is more and more taken with Alan; he sees in him someone who is filled with a passion, whose life is filled with worship, and he envies Alan. His own life seems so safe and secure, so empty of energy and passion that he questions whether his treatment of Alan is anything less than a monstrous sacrifice to the normal.
Under hypnosis, Dysart takes Alan’s mind back to one of the nights when he took a horse, Nugget, out riding. It was an evening of passionate devotion, of the worship of the god Equus. Alan led the horse gently out from the stables to a field, where he stripped and bowed to the god. He inserted a bit in his own mouth, and then, in complete worshipful ecstasy, he galloped around the field. Afterward, he stood beside the horse, fully devoted, fully alive. It was a sense of passion that Dysart never experienced.
Soon after, Mrs. Strang comes to visit Alan, and, in a terrible fight, he silently accuses her of some responsibility for his behavior. She refuses to accept the accusation, and, when Dysart intervenes, she claims that what Alan did is Alan’s responsibility, not that of his parents. Nevertheless, she also blames the Devil and leaves without any real understanding of what is troubling her son.
Alan suggests obliquely to Dysart that he is waiting to be given a truth pill; Dysart picks up on the suggestion and, giving Alan a placebo, has him tell about the night he blinded the horses. Before he begins, Alan reveals that he knows that Dysart is in pain; Dysart is startled by Alan’s perception but leads him back hypnotically to that night. It began on a date with Jill to see a pornographic film, at which they discovered Mr. Strang. After the initial shock and embarrassment, Alan suddenly recognized that his father, too, had a secret inner life, that everyone did. It was a freeing recognition for him.
When they walked back to the stables and Jill proposed that they make love, Alan sensed the confining and overpowering presence of his god, Equus, who would always be watching. He found himself impotent in the face of his god, and, after chasing Jill away, he blinded the horses so that Equus could not see him.
The crisis being reached, the episode being lived through again, Alan falls asleep, dreamless for the first time in a long time. Dysart recognizes that he is now beginning a recovery, but his recovery means that he will no longer be passionate, that he will no longer gallop with a god. Dysart recognizes that, in destroying this passion, he, too, stabs at faces with picks.
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