Jim Baker's Bluejay Yarn by Mark Twain
"Jim Baker's Bluejay Yarn," a story by Mark Twain, is featured in his travel narrative *A Tramp Abroad*, published in 1880. The tale is recounted by Jim Baker, a middle-aged miner living in California, who believes he can understand the language of bluejays after years of solitude among nature. The story begins with Baker sharing his humorous observations of bluejays, asserting that they possess human-like qualities, including the capacity for deceit and betrayal.
Central to the narrative is a comically ambitious bluejay that becomes fixated on a mysterious knothole, leading to a series of humorous and futile attempts to fill it with acorns. As more jays gather to witness this peculiar behavior, their interactions create a lively scene filled with chatter and laughter, highlighting the absurdity of the situation. The story ultimately champions the idea that bluejays have a sense of humor and memory, though one owl remains unimpressed. Through Baker's engaging storytelling, Twain explores themes of humor, nature, and the quirks of animal behavior, inviting readers to appreciate the unique perspectives found in the natural world.
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Jim Baker's Bluejay Yarn by Mark Twain
First published: 1879
Type of plot: Tall tale
Time of work: About 1860
Locale: The California Mother Lode country
Principal Character:
Jim Baker , a California hermit
The Story
"Jim Baker's Bluejay Yarn" was first published as chapter 3 of Mark Twain's travel narrative A Tramp Abroad (1880). In that version, the actual narrative is preceded by an introduction, which appears at the end of chapter 2, in which the narrator of A Tramp Abroad introduces Jim Baker as "a middle-aged, simple-hearted miner who had lived in a lonely corner of California among the woods and mountains a good many years, and had studied the ways of his only neighbors, the beasts and the birds, until he believed he could accurately translate any remark they made." Also in the introductory section, Jim Baker elaborates on his high opinion of jays, offering the opinion that they are "just as much a human as you be," and concluding that "a jay will lie, a jay will steal, a jay will deceive, a jay will betray; and four times out of five, a jay will go back on his solemnest promise." The narrator affirms that he knows this to be true because Jim Baker told him so himself, thus establishing his own naïveté and gullibility. This beginning establishes a "frame" for the story.

Some editors print the introductory material as part of "Jim Baker's Bluejay Yarn," although others include only the material from chapter 3 of A Tramp Abroad that is discussed below. Because the story materially benefits from establishing Jim Baker's character and his views on jays, it is best to read a complete version.
Jim Baker's "yarn" cannot be captured in a simple summary of events, because, as Twain pointed out in an essay entitled "How to Tell a Story," a "humorous story depends for its effect on the manner of the telling," rather than on its contents. Thus, the events of the story are unimpressive unless presented with the droll style of the master storyteller. Even when read aloud, the yarn falls flat unless it is artfully presented. Being such a master raconteur, Jim Baker must be "heard" as he elaborates this tale of an excessively ambitious bluejay whose reach far exceeded his grasp.
Baker begins in a matter-of-fact way by establishing his authority as an expert on bluejay behavior by setting the story at a time in the past "when I first begun to understand jay language correctly." Being the last remaining soul in the region, Baker no doubt gained his knowledge of jays by doing just what he describes in the story: watching bluejays from his front porch. In fact, he seems to have nothing else in particular to occupy his time, so on this Sunday morning, Baker says, "I was sitting out here in front of my cabin, with my cat, taking the sun, and looking at the blue hills, and listening to the leaves rustling so lonely in the trees, and thinking of the home away yonder in the states, that I hadn't heard from in thirteen years, when a bluejay lit on that house, with an acorn in his mouth, and says, 'Hello, I reckon I've struck something.'" In this way, Twain not only establishes the "authenticity" of the story but also subtly characterizes the narrator and his way of life.
As Baker watches, the jay becomes intrigued by a knothole he has discovered in the roof of the abandoned cabin on which he is perched. After an elaborate examination to satisfy himself that it is indeed a hole that he has discovered, the jay drops an acorn into the opening and awaits the sound of it hitting bottom. When he hears nothing after a proper interval, he seems first curious, then surprised, and finally indignant. Baker is able to infer this because, as he told the reader at the outset, he understands jay language. In this context, the elaborate description given of the jay's behavior is Baker's way of describing the bird's language. "He cocked his head to one side, shut one eye and put the other one to the hole, like a 'possum looking down a jug; then he glanced up with his bright eyes, gave a wink or two with his wings—which signifies gratification, you understand—and says, 'It looks like a hole, it's located like a hole—blamed if I don't believe it is a hole.'" For the remainder of the yarn, Baker alternates between elaborate descriptions of bluejay behavior and interpretations of the meaning of the activity.
The first acorn having been lost in the recesses of the hole, the jay quickly fetches another, only to drop it in with the same results as the first. He tries to drop acorns, then quickly peep in the hole to see where they fall, but this technique, too, is unsuccessful. After a marvelous bout of cursing, he finally concludes that this is a hole of a kind that is new in his experience, but his frustration only strengthens his resolve. "Well," he says, "you're a long hole, and a deep hole, and a mighty singular hole altogether—but I've started to fill you, and I'm d——d if I don't fill you, if it takes a hundred years!"
The jay works himself into a frenzy dropping acorns into the hole, but again with no noticeable results. This time his cursing attracts another jay, and the two hold a noisy conference on the ridgepole. The second jay, unable to make any more sense of the mysterious hole than the first, "called in more jays; then more and more, till pretty soon this whole region 'peared to have a blue flush about it." All the jays offer their opinions, leading to a cacophony of disputation. This continues until one old jay eventually finds his way through the open door of the house and finds all the acorns scattered over the floor.
The other jays' curiosity and interest now turns to derision, and they join in laughing at their silly companion. Baker finishes his story by telling the reader that "they roosted around here on the housetop and the trees for an hour, and guffawed over that thing like human beings," then concludes in defense of these silly creatures, "it ain't no use to tell me a bluejay hasn't got a sense of humor, because I know better. And memory, too. They brought jays here from all over the United States to look down that hole, every summer for three years." Other birds came also, and all saw the humor except an owl from Nova Scotia who had come west to visit "the Yo Semite" and stopped by on his way home. "He said he couldn't see anything funny in it. But then he was a good deal disappointed about Yo Semite, too."
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