The Kiss by Anton Chekhov

First published: "Potseluy," 1887 (English translation, 1915)

Type of plot: Psychological

Time of work: The 1880's

Locale: The village of Mestechki and various small towns in Russia

Principal Characters:

  • Lieutenant Ryabovich, a timid artillery officer
  • Lieutenant Lobytko, a boastful womanizer
  • Lieutenant Merzlyakov, a coldly analytic intellectual
  • Lieutenant General von Rabbeck, Mestechki's leading landowner

The Story

The setting of "The Kiss" is a Russian village on a May evening. The officers of an artillery brigade encamped nearby are invited by a retired lieutenant general, von Rabbeck, who is the leading landowner in the village, to spend an evening dining and dancing in his residence. After describing a panoramic scene of aristocratic society, Anton Chekhov focuses on one of the officers, Ryabovich, who characterizes himself with the diagnosis: "I am the shyest, most modest, and most undistinguished officer in the whole brigade!" He is an inarticulate conversationalist, a graceless dancer, a timid drinker, and an altogether awkward social mixer. During the evening he wanders away from the activities he is unable to enjoy and strays into a semidark room that is soon entered by an unidentifiable woman, who clasps two fragrant arms around his neck, whispers, "At last!" and kisses him. Recognizing her mistake, the woman then shrieks and runs from the room.

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Ryabovich also exits quickly, and soon shows himself to be a changed man: "He wanted to dance, to talk, to run into the garden, to laugh aloud." He no longer worries about his round shoulders, plain looks, and general ineptness. He begins to exercise a lively romantic fancy, speculating which of the ladies at the dinner table might have been his companion. Before falling asleep, he indulges in joyful fantasies.

The artillery brigade soon leaves the area for maneuvers. Ryabovich tries to tell himself that the episode of the kiss was accidental and trifling, but to no avail: His psychic needs embrace it as a wondrously radiant event. When he tries to recount it to his coarse fellow officers, he is chagrined that they reduce it to a lewdly womanizing level. He imagines himself loved by and married to her, happy and stable; he can hardly wait to return to the village, to reunite with her.

In late August, Ryabovich's battery does return. That night he makes his second trip to the general's estate, but this time pauses to ponder in the garden. He can no longer hear the nightingale that sang loudly in May; the poplar and grass no longer exude a scent; he walks a bridge near the general's bathing cabin and touches a towel that feels clammy and cold; ripples of the river rip the moon's reflection into bits. Ryabovich now realizes that his romantic dreams have been absurdly disproportionate to their cause: "And the whole world . . . seemed to [him] an unintelligible, aimless jest." When the general's invitation comes, he refuses it.