Main Street by Sinclair Lewis

First published: 1920

Type of work: Novel

Type of plot: Social satire

Time of plot: c. 1910–1920

Locale: A small midwestern town

Principal Characters

  • Carol Kennicott, an idealist
  • Dr. Will Kennicott, her husband

The Story

When Carol Milford graduates from Blodgett College in Minnesota, she thinks she can conquer the world. Interested in sociology, and village improvement in particular, she often longs to set out on her own crusade to transform dingy prairie towns into thriving, beautiful communities. When she meets Will Kennicott, a doctor from Gopher Prairie, and listens to his praise of his hometown, she agrees to marry him. He convinces Carol that Gopher Prairie needs her.

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Carol is an idealist. On the train, going to her new home, she deplores the rundown condition of the countryside and wonders whether the northern Midwest has a future. Will tells her that the people are happy. As they travel through town after town, Carol notices with a sinking heart the shapeless mass of hideous buildings, the dirty depots, the flat wastes of prairie surrounding everything. She knows that Gopher Prairie will be no different from the rest, and she is right. The people are as drab as their houses and as flat as their fields. A welcoming committee meets the newlyweds at the train. To Carol, all the men are alike in their colorless clothes and in their overfriendly, overenthusiastic manner. The Kennicott house is a Victorian horror, but Will says he likes it.

At a party held in her honor, Carol hears the men talk of motorcars, train schedules, and “furriners” while they praise Gopher Prairie as God’s own country. The women are interested in gossip, sewing, and cooking, and most of them belong to the two women’s clubs, the Jolly Seventeen and the Thanatopsis Club. At the first meeting of the Jolly Seventeen, Carol dismays everyone when she says that the duty of a librarian is to get people to read. The town librarian staunchly asserts that her primary trust is to preserve the books.

Carol is unconventional from the start. She hires a maid and pays her the overgenerous sum of six dollars per week. She gives a party with an Asian motif. She occasionally kicks off a slipper under the table, revealing her arches. Worse, she redecorates the old Kennicott house and gets rid of the mildew, the ancient bric-a-brac, and the dark wallpaper. Will protests against her desire to change things.

Carol joins the Thanatopsis Club, hoping to use the club as a means of awakening interest in social reform, but the women of Gopher Prairie, while professing charitable intentions, have no idea of improving social conditions. When Carol mentions that something should be done about the poor people of the town, everyone firmly states that there is no real poverty in Gopher Prairie. Carol also attempts to raise funds for a new city hall, but no one thinks the ugly old building needs to be replaced. The town votes against appropriating the necessary funds.

Will buys a summer cottage on Lake Minniemashie. There, Carol enjoys outdoor life, and during the summer months she almost loses her desire for reform. When September comes, however, she hates the thought of returning to Gopher Prairie.

Carol resolves to study her husband. He is well regarded in the town, and she romanticizes herself as the wife of a hardworking, courageous country doctor. She falls in love with Will again on the night she watches him perform a bloody but successful operation on a poor farmer. Carol’s praise of her husband, however, has little effect. Will does not fit into any romantic conception. He accepts his duties as a necessary chore, and the thought that he saved the life of a human being does not occur to him. His interest in medicine is identical to his interest in motorcars. Carol turns her attention to Gopher Prairie.

Carol, trying to interest the Thanatopsis Club in literature and art, finally persuades the members to put on an amateur theatrical; but everyone’s enthusiasm soon wanes. Carol’s choice of a play, George Bernard Shaw’s Androcles and the Lion, is vetoed and replaced with something less known. Carol considers even that choice too subtle for Gopher Prairie, but at least it revives the town’s interest in theater.

After three years of marriage, Carol discovers that she is pregnant. When her son is born, she resolves that some day she will send little Hugh away from Gopher Prairie, to Harvard, Yale, or Oxford. With her new status of motherhood, Carol finds herself more accepted in the town, but because she devotes nine-tenths of her attention to Hugh she has little time to criticize the town. She wants a new house, but she and Will cannot agree on the type of building. He is satisfied with a square frame house. Carol has visions of a Georgian mansion, with stately columns and wide lawns, or a white cottage like those at Cape Cod.

Carol meets a tailor in town, an artistic, twenty-five-year-old aesthete with whom she eventually imagines herself in love. She often drops by his shop to see him, and one day, Will warns her that the gossip in town is growing. Ashamed, Carol promises she will not see him again. The tailor leaves for Minneapolis.

Carol and Will decide to take a long trip to California. When they return three months later, Carol realizes that her attempt to escape Gopher Prairie has not been a success. For one thing, Will was with her on the trip, but what she needs is to get away from her husband. After a long argument with Will, Carol takes little Hugh and goes to Washington, DC, where she plans to do war work. However, hers is an empty kind of freedom. She finds the people in Washington an accumulation of the population of thousands of Gopher Prairies all over the nation. Main Street has been transplanted to the larger city. Though she is disheartened by her discovery, Carol has too much pride to return home.

After thirteen months, Will goes to Washington to find Carol and Hugh. He misses her terribly, he says, and begs her to come back. Hugh is overjoyed to see his father, and Carol realizes that she has to return to Gopher Prairie. Home once more, Carol finds that her furious hatred for Gopher Prairie has burned itself out. She makes friends with the club women and promises herself not to be snobbish in the future. She will go on asking questions—she can never stop herself from doing that—but her questions now will be asked with sympathy rather than with sarcasm. For the first time, she feels serene. In Gopher Prairie, she at last feels that she is wanted. Her neighbors had missed her. For the first time, Carol feels that Gopher Prairie is her home.

Bibliography

Bucco, Martin. Main Street: The Revolt of Carol Kennicott. New York: Twayne, 1993. Print.

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Hutchisson, James M. The Rise of Sinclair Lewis, 1920-1930. University Park: Pennsylvania State UP, 1997. Print.

Hutchisson, James M., ed. Sinclair Lewis: New Essays in Criticism. Troy: Whitston, 1997. Print.

Katona, Anna B. "Sinclair Lewis." Critical Survey of Long Fiction. 4th ed. Ipswich: Salem, 2010. 1–10. Print.

Light, Martin. The Quixotic Vision of Sinclair Lewis. West Lafayette: Purdue UP, 1976. Print.

Lingeman, Richard R. Sinclair Lewis: Rebel from Main Street. St. Paul: Borealis, 2005. Print.

Schamhorst, Gary, and Matthew Hofer, eds. Sinclair Lewis Remembered. Tuscaloosa: U of Alabama P, 2012.

Steman, Thomas. "The Man from Main Street: Bringing Sinclair Lewis into the 21st Century." Sinclair Lewis Society Newsletter 18.1 (2009): 3–4, 14–16.

Tunc, Tanfer Emin. "The Model T and the Roaring Twenties: The Automobile, Social Change, and Cultural Critique in American Literature." Critical Insights: Technology & Humanity. Ipswich: Salem, 2012. Print.