The Moved Outers by Florence Crannell Means

First published: 1945; illustrated

Type of work: Historical fiction

Themes: Race and ethnicity, war, and friendship

Time of work: World War II

Recommended Ages: 13-15

Locale: California

Principal Characters:

  • Sue Ohara, a Japanese American girl who is a well-liked senior in high school
  • Kim Ohara, her brother, also a popular senior, who is very smart
  • Mr. Ohara, their father, the owner of a prosperous nursery and floral shop
  • Mrs. Ohara, their very reserved, proper Japanese mother
  • Jiro Ito, a Japanese neighbor boy, with whom Sue falls in love

The Story

This is a historical novel, contemporary when written, that takes place along the California coast. The plot revolves around wartime America dealing with the Japanese Americans living on its Pacific coast and concerns a particular California family of Japanese origin in the months following the Pearl Harbor attack.

Sue Ohara and her brother Kim are Japanese American high school students, whose family lives on the West Coast. Sue’s father has a successful nursery and floral shop, and her mother stays busy running the household and taking care of the family. Another son, Tad, is away serving in the armed forces; another daughter, Amy, attends college in the East.

On the Friday of the weekend of December 7, 1941, Sue and her best friend, Emily, walk home from school, sharing high hopes for the future, after graduation. Their lives revolve around church and school activities. Sue’s brother, Kim, is active on the high school debate team and has just given an impressive speech at school on democracy. Her father is active in the local civic clubs and church activities. Sue and Kim, American-born, feel as American as the Stars and Stripes, although they are of Oriental ancestry.

When the radio announces on Sunday, December 7, 1941, that Japan has attacked Pearl Harbor, all Japanese Americans on the West Coast are ordered to relocation camps, away from the coast, where they are crowded behind barbed wire. The reader shares the sorrow of the families as they give up businesses, pack their treasures, and are separated from one another. Sue’s father is taken into custody by the Federal Bureau of Investigation (FBI), while she, her mother, and her brother Kim are moved to a relocation camp.

Life in camp, away from home and their many high school friends, is a strange, new experience for Sue and Kim. For Sue, this is only partly counterbalanced by her falling in love with Jiro Ito. Just as the Oharas are beginning to adjust to the camp at Santa Anita, they are moved to another camp in Colorado. At the same time, Mr. Ohara is released by the FBI and rejoins them; Kim is shot at by a misunderstanding American, and his spirit is nearly broken by the humiliating treatment he receives. Their brother Tad, in the Army, is reported killed in action in Italy.

Somehow, even in crowded, unnatural living conditions, surrounded by humorous and tragic happenings, both Sue and Kim are able to fight for and regain faith in the United States. The evacuees, the moved outers, still love the United States through broken hearts and look forward to the regaining of their world when the war is over—the day when they will be “going back to America.”

Context

The Moved Outers records the unpleasant chapter in U.S. history of treatment of Japanese Americans at the beginning of the war with Japan. The United States can take no pride in this. The book convincingly portrays the psychological problems of loyal Americans of Oriental blood during that period of time. The reader understands the feelings of one who must go from a life of freedom to a life behind barbed wire.

Florence Crannell Means holds a mirror up to prejudice in her writings. Shuttered Windows (1938), Teresita of the Valley (1943), Tolliver (1963), It Takes All Kinds (1964), and Our Cup Is Broken (1969), like this book, continue to point the finger at unjustifiable prejudice toward minorities in American society. Means points out the irrationality of human behavior during a war. She presents young people with material for serious thinking on the subject of racial discrimination. She points out that, in times like these, matters of this sort are not settled by thinking but by obscure, almost irresistible emotional reflexes.