Murder in the Cathedral: Analysis of Major Characters
"Murder in the Cathedral" is a play by T.S. Eliot that explores the complex dynamics surrounding the character of Thomas Becket, the Archbishop of Canterbury, as he navigates the tensions between spiritual authority and political power. Upon his return from France, Becket faces a divided response from the populace—while some rally in support, others harbor animosity towards him. Central to the narrative is Becket's struggle against compelling temptations presented by various characters, each representing different facets of ambition and moral conflict. The first three tempters entice him with worldly success and power, while the fourth tempts him with the promise of martyrdom and eternal glory. Ultimately, Becket resolutely rejects all temptations, maintaining his commitment to his faith. The play also features the knights who carry out Becket's assassination, justifying their actions through claims of loyalty to the king and portraying Becket as a man driven by ego. Additionally, the women of Canterbury serve as a chorus, reflecting the broader societal sentiments around Becket's fate. This multifaceted exploration of character and moral choice invites audiences to reflect on themes of faith, power, and sacrifice.
Murder in the Cathedral: Analysis of Major Characters
Author: T. S. Eliot
First published: 1935
Genre: Play
Locale: Canterbury, England
Plot: Historical
Time: 1170
Thomas Becket, the archbishop of Canterbury. Having just returned from France, where he has gained the support of the pope in his attempt to achieve both temporal and spiritual power in England, he finds a mixed reaction among the people. Although some support him, others would gladly see him dead. He is faced with a dilemma that leaves him no alternative but to sin against his faith. After his murder, he achieves martyrdom and sainthood, which his accusers say he was seeking all along.
Three priests of the cathedral, who fear the outcome of Becket's return. They express the pessimism felt by everyone.
The first tempter, who offers worldly pleasure and success.
The second tempter, who offers temporal power through negation of spiritual authority.
The third tempter, who offers the support of a faction wishing to overthrow the throne.
The fourth tempter, who offers martyrdom and eternal glory. Becket denies all the tempters.
Reginald Fitz Urse, William de Traci, Hugh de Morville, and Richard Brito, the knights who murder Becket. They defend their action on the grounds that they will not benefit from their deed, that Becket had refused to acknowledge the king's supremacy, and that he was egotistical to the point of insanity.
The women of Canterbury, who act as the chorus of classical drama.