The Sea by John Banville
"The Sea" by John Banville is a literary novel that follows the journey of Max Morden, an aging art historian who grapples with the intertwining of memory, loss, and identity. After the death of his wife, Anna, from cancer, Max returns to Ballyless, a seaside village that encapsulates significant moments from his childhood. There, he recalls his fascination with the Grace family—especially the twins, Myles and Chloe—and their mother, Connie. As Max revisits the past, he stays in the former summer home of the Graces, now a boarding house, and contemplates both his memories of that idyllic time and his recent grief.
The novel delves into themes of reminiscence, the nature of perception, and the often blurry line between memory and reality. Through Max's reflections, Banville suggests that memories are often illusions, shaped by personal biases and distortions. As the narrative progresses, Max confronts the complexities of his past relationships, revealing unexpected truths about both the Grace family and his own life. Ultimately, "The Sea" explores how the act of remembering can influence one’s understanding of self and relationships, providing a poignant meditation on the interplay between past and present.
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The Sea by John Banville
Excerpted from an article in Magill’s Survey of World Literature, Revised Edition
First published: 2005
Type of work: Novel
The Work
At the beginning of The Sea, first-person narrator Max Morden, an aging art historian, stands looking out to sea, which throughout the novel acts as an anchoring point between the past and the present. After losing his wife Anna to cancer, Max feels the compulsion to return to Ballyless, the site of an important childhood summer. It was in this seaside village that he first encountered the sophisticated Grace family and fell in love with both daughter and mother. The children, web-footed Myles and Chloe Grace, are psychically connected twins. Their mother, Connie Grace, is beautiful, and their father, Carlo Grace, represents the god Bacchus—drunk, fat, all-seeing, and fully aware that the pubescent Max is smitten with his wife. The family travels with a teenage governess named Rose. Since Max’s own home life is a shambles, he spends every minute he can with the fascinating family. Sandwiched in between his recollections of his distant past are Max’s memories of a more recent event, the prolonged death of his wife Anna.
After fifty years, Max finds that the Grace’s summerhouse, called the Cedars, has become a boardinghouse run by a Miss Vavasour. In an attempt to grapple with his memories and mourn his loss, he rents a room there. Despairing of ever finishing his monograph on the artist Pierre Bonnard, he has come to live among the rabble of his past, as he puts it, and ponder the idea that by devoting as much time as possible to recollection, he can perhaps live his life over. He drinks heavily.
Max soon realizes that the past is indeed not wholly what one remembers, the present is not entirely what one thinks, and the line between remembrance and creation is thin. Banville insists that memories are illusions. Like many of Banville’s narrators, Max says that everything is something else, and he is correct. In time, Max realizes that his memories are mere perceptions and are recalled invariably in error. He recollects the first kiss he shared with Chloe; the surging sexual excitement when her mother opened her lap; the sad events surrounding the Graces when the twins drowned. He also understands that his life with his photographer wife Anna also was fraught with illusion.
In time, it becomes clear that Miss Vavasour is really the teenage governess Rose and that the affair Max imagined between Mr. Grace and Rose was really an affair between Mrs. Grace and Rose. For Max, everything in his life has been something else, which explains his failure, or perhaps his inability, to ever fully connect with another person.
Bibliography
Birkerts, Sven. “The Last Undiscovered Genius.” Esquire 135, no. 1 (January, 2001): 50.
D’hoker, Elke. Visions of Alterity: Representation in the Works of John Banville. Amsterdam: Rodopi, 2004.
Fiorato, Sidia. The Relationship Between Literature and Science in John Banville’s Scientific Tetralogy. Frankfurt am Main, Germany: Lang, 2007.
Hand, Derek. John Banville: Exploring Fictions. Dublin: Liffey Press, 2002.
Imhof, Rudiger. John Banville: A Critical Introduction. Dublin: Wolfhound Press, 1989.
Irish University Review: A Journal of Irish Studies, 36, no. 1 (June, 2006). Issue devoted to John Banville.
McMinn, Joseph. John Banville, a Critical Study. New York: Macmillan, 1991.