Shadows on the Rock: Analysis of Major Characters
"Shadows on the Rock" provides a rich tapestry of characters set in late 17th-century Quebec, exploring themes of exile, adjustment, and cultural transplantation. At the center is Euclide Auclair, a philosophical apothecary who grapples with his sense of belonging after moving from Paris to Canada. Despite his loyalty to the Count de Frontenac, he longs for his former life and dreams of returning to France. His daughter, Cécile, embodies a blend of youth and maturity, deeply rooted in her Canadian surroundings while navigating the complexities of family and faith after her mother’s death. Cécile's eventual marriage to Pierre Charron, a skilled hunter, marks a turning point for Euclide as he comes to accept his life in Quebec.
The narrative also features prominent figures like the stern yet capable Count de Frontenac and the ambitious young Bishop de Saint-Vallier, whose contrasting leadership styles impact the community. The supporting characters, including the street waif Jacques Gaux and the pious cobbler's mother, enrich the story’s exploration of morality and community ties. Through these characters, the novel examines the intersection of Old World sensibilities with the demands of life in a new, untamed land, illustrating both individual and collective struggles with identity and belonging.
Shadows on the Rock: Analysis of Major Characters
Author: Willa Cather
First published: 1931
Genre: Novel
Locale: Quebec, Canada
Plot: Historical
Time: 1697–1713
Euclide Auclair (ew-KLEED oh-KLAR), a temperate, humane, and philosophical apothecary living in Quebec at the end of the seventeenth century. Although loyal to his patron and friend, the Count de Frontenac, whom he accompanied to Canada in 1689, he feels that he has lived in exile for eight years, and he makes little effort to adjust his thinking or habits to life in a new land. At night, when he draws the curtains of his shop and sits down to dinner with his daughter Cécile, he likes to imagine that he is back in his beloved home on the Quai des Célestins in Paris. When he learns that the count expects to be recalled by King Louis, Auclair looks forward to returning with his benefactor. The count, neglected by his monarch, dies in Quebec, and in the end, Auclair stays on. His daughter has married a Canadian, and to the old apothecary it seems that the future may after all be better in Quebec, a place where change comes slowly, remote from the designs of kings and their ministers.
Cécile Auclair (say-SEEL), the apothecary's thirteen-year-old daughter, who has taken over the household after her mother's death. She is an appealing child because of her quaint mixture of youth and maturity. She is deeply pious but with no sense of a religious vocation; instead, she resembles a household vestal guarding domestic rites that stand for the order and grace of a transplanted culture. Unlike her father, she is a Canadian; the river flowing below the rock, the mountains to the north, and the dark pine forests stretching away as far as one can see frame everything that is familiar and dear to her. She grows up to marry Pierre Charron, her father's friend, a famous hunter and scout.
Pierre Charron (pyehr shah-ROHN), Euclide Auclair's young friend from Montreal, a wilderness runner and hunter. Disappointed in love when the daughter of his employer became a religious recluse, he had taken to the woods; now he has made a name for himself among the traders and Indians all along the Great Lakes. Whenever he is in Quebec, he visits the Auclairs. The apothecary admires him because the young man combines the manners and tradition of the Old World with the bravery and resourcefulness needed to survive in the new. Cécile loves him first as a child, then as a woman. They marry and have four children to make the apothecary satisfied with his growing family in his old age.
The Count de Frontenac (deh frohn-teh-NAK), the governor of Canada, a stern but just man who has alienated many civil authorities and churchmen in France and Canada through his tactless actions. An able administrator and soldier, he dies neglected by the king he has served faithfully.
Bishop Laval (lah-VAHL), the first bishop of Quebec, now succeeded by Monseigneur de Saint-Vallier. The old prelate is unsparing of himself, devoted to the poor, and ambitious for the church. Gruff in manner, he is capable of great generosity and kindness to the deserving. In the past, he and the Count de Frontenac had clashed on many matters of policy, and he carries on a feud with his ambitious young successor.
Monseigneur de Saint-Vallier (deh sahn-vahl-YAY), the young bishop of Quebec, who since his appointment has spent most of his time in France. Clever and ambitious, he often acts more like a courtier than a churchman; Euclide Auclair thinks that he looks like an actor. He appears determined to undo the work of his predecessor, old Bishop Laval. After having been captured and imprisoned by the English and later detained in France, he returns, a much chastened man, to Quebec in 1713.
Jacques Gaux (zhahk goh), a street waif befriended by Cécile Auclair. He grows up to become a sailor. Between voyages, he stays with the old apothecary.
'Toinette (twah-NEHT), called La Grenouille (greh-NEW), meaning “the frog.” She is an unsavory, shrewish woman, the mother of Jacques Gaux and the keeper of a sailors' boardinghouse.
Nicholas Pigeon (nee-koh-LAH pee-ZHYOHN), a baker and a neighbor of the Auclairs.
Noel Pommier (noh-EHL poh-MYAY), a cobbler.
Madame Pommier, the cobbler's mother. A woman of great piety, she is responsible for the location of her son's shop on Holy Family Hill.
Jules (zhewl), nicknamed Blinker, a disfigured, cross-eyed man who tends the fires of Pigeon and the baker and empties the Auclairs' refuse in repayment for a bowl of soup and a small glass of brandy each night. He tells Euclide Auclair a strange story. Apprenticed to the king's torturer at Rouen, he had brutally compelled a woman to confess to the murder of her son. A short time later, the young man reappeared. Unable to sleep at night because of the burden on his conscience, Blinker asks the apothecary for a drug that will allow him to rest.
Mother Juschereau de Saint-Ignace (zhew-sheh-ROH deh sahn-teen-YAHS), the superior of the Hotel Dieu, who tells Cécile Auclair many tales of miracles and saints. She regrets that the girl shows no signs of a vocation in religious life.
Father Hector Saint-Cyr (ehk-TOHR sahn-SEER), a Jesuit missionary to the Indians, Euclide Auclair's friend.
Jeanne Le Ber (zhahn leh behr), the daughter of a wealthy merchant in Montreal. Rejecting all suitors for her hand, including her old playmate, Pierre Charron, she becomes a religious recluse.