Wings: Analysis of Major Characters
"Wings" is a poignant exploration of the experiences and challenges faced by stroke patients, with a focus on the major characters navigating their rehabilitation journey. The central character, Emily Stilson, is a retired aviator in her seventies who suffers a stroke, leading to a two-year recovery process in a hospital. Internally, Emily grapples with confusion and the belief that she is trapped in a Romanian farmhouse, reflecting her struggle to communicate and regain her sense of self. The play delves into her memories of flying, highlighting her frustration when her thoughts cannot be expressed verbally, which sometimes results in anger and violent outbursts that ultimately aid her recovery.
Billy, a younger stroke patient in his thirties, provides a contrasting perspective. He uses humor and semi-coherent chatter to cope with his situation and often deflects focus away from his challenges. The therapist, Amy, plays a crucial role in supporting both Emily and Billy, demonstrating patience and affection as she encourages their progress and helps them confront their disabilities. Through their interactions, the play captures the complex emotional landscape of recovery, emphasizing the importance of communication, memory, and personal connection in overcoming the effects of a stroke.
Wings: Analysis of Major Characters
Author: Arthur Kopit
First published: 1978
Genre: Play
Locale: A hospital and a convalescent hospital
Plot: Expressionism
Time: The 1970's
Emily Stilson, a retired aviator in her seventies. She suffers a stroke and is taken to a hospital, where she recovers over a two-year period. The play presents both her internal thoughts and her external behavior. Internally, she remains intact, though she is extremely confused as to what has happened to her and where she is. Thrown back on her memories, she reaches the conclusion that, following an aviation accident, she is being held prisoner by unknown forces in a Romanian farmhouse disguised to look like a hospital. She interprets the doctors' questions as attempts to pump her for information. Although she believes herself to be lucid, nothing but gibberish emerges when she speaks. At moments when her thinking becomes jumbled, she returns to memories of flying and walking on the wings of airplanes. When she realizes that her ability to express herself does not match her ability to generate thought within herself, she becomes angry and reacts violently. This reaction, indicative of a desire to communicate with others, brings her out of herself somewhat and advances her therapy. She essentially learns to speak all over again. As her condition improves, more of her memories become conscious. Her son takes her to an aircraft museum, where she finds that her hands automatically manipulate the controls even though she cannot recall how to use them and forgets again as soon as she is no longer in physical contact with the plane. Talking with her therapist, she recounts an out-of-body experience in which she felt herself to be floating on the ceiling. As she speaks, the therapist disappears from her consciousness, which is taken over by a memory in which she is flying blind and lost, but nevertheless enjoying a feeling of freedom. The recollection ends with her walking out onto the wing of the aircraft, courageously facing the unknown— presumably her own death.
Billy, a stroke patient in his thirties. Billy is a member of Emily Stilson's therapy group. He owns a farm and is an expert cook, although he is not always clearly aware of his past. His response to the disabilities resulting from his stroke is to keep up a barrage of semicoherent chatter that prevents the therapist from pointing out deficiencies in his language skills and memory. During a therapy session, for example, he accuses the therapist of not having paid him for a cheesecake recipe he gave her, in an effort to put her on the defensive and make her the focus of the session.
Amy, the therapist who works with Emily Stilson, Billy, and other patients. She is extremely patient with and affectionate toward her patients. She encourages them to work through their disabilities and cheers each breakthrough. She negotiates Billy's efforts to deflect the therapy she offers him good-humoredly, and she gives Emily much personal atten- tion, taking her outside and talking with her about her family and her past.