Wise Blood by Flannery O'Connor

First published: 1952

Type of work: Novel

Type of plot: Psychological realism

Time of plot: Early twentieth century

Locale: Taulkinham, a city in the American South

Principal Characters

  • Hazel Motes, a preacher despite himself
  • Enoch Emery, Hazel’s disciple
  • Asa Hawks, charlatan preacher, rival to Hazel
  • Sabbath Lily, Hawks’s daughter
  • Hoover Shoats, Hazel Motes’s rival
  • Mrs. Flood, Hazel’s landlady

The Story

When Hazel Motes is released from the army, he finds his old home place deserted. Eastrod is the home of his grandfather, a backwoods preacher who assured Hazel that Jesus is hungry for his soul. Hazel packs up his mother’s Bible and reading glasses and catches the train for Taulkinham. He rides uneasily in his $11.98 suit, startling one middle-class lady by suddenly telling her, “If you’ve been redeemed . . . I wouldn’t want to be.”

87575499-87877.jpg

In the army, Hazel decides that his grandfather’s preaching was false, that sin does not exist. In Taulkinham, Hazel intends to prove this to himself, but even the cabdriver who takes him to his first room identifies him as a preacher.

On his second night in the city, Hazel meets Enoch Emery as they watch a sidewalk potato-peeler salesman. Enoch comes to Taulkinham from the country and finds a job working for the city zoo. He is desperately lonely, and despite Hazel’s surliness, Enoch immediately attaches himself to Hazel as a potential friend. Hazel’s attention, however, is focused on a blind man whose face is scarred. The blind man’s daughter, Sabbath Lily, accompanies him, handing out religious pamphlets. Hazel and Enoch follow the pair until the blind man, Asa Hawks, insists that he can smell sin on Hazel and that he was marked by some past preacher. Hazel denies it, saying that the only thing that matters to him is that Jesus does not exist.

The next day Hazel buys a car. Even at forty dollars it is no bargain, an ancient Essex that barely runs, but it pleases Hazel. Later that day he meets Enoch Emery at the zoo so that Enoch can show Hazel something at the museum. Enoch leads Hazel to a case that contains a tiny mummified man. Enoch finds the mummy very compelling and believes that he received a sign to show it to Hazel, whose only response is to demand Hawks’s address.

That evening Hazel begins his career as a street preacher; he calls his church “the Church Without Christ” and denies the existence of sin, judgment, and redemption. Later that evening he rents a room in the rooming house where Hawks and his daughter live, planning to seduce Sabbath Lily and thus to make the blind preacher take his denial of Christ seriously. Hazel has no idea that Hawks’s blindness is fake; he believes a news clipping Hawks shows him that described Hawks’s promise to blind himself by way of dramatizing his conviction that Jesus’s death redeemed him. Hawks did not show Hazel the second clipping: “Evangelist’s Nerve Fails.” At the moment when he planned to rub lime into his eyes, Hawks believed that he saw Jesus expel the devils that drew him to this testing of God, and the sight made him flee.

The next afternoon, Sabbath Lily tricks Hazel into taking her for a ride in the country. As they lie in a field, Hazel is beginning to formulate his plan for seducing her without realizing that she already planned the same thing. When she looks into his eyes and playfully says “I see you” to Hazel, however, he suddenly bolts.

Meanwhile, Enoch is going through an elaborate cleansing ritual in preparation for his theft of the mummy from the museum. He calls it the “new jesus” and feels that Hazel needs it for his church. At the same time, Hazel is coping with unwanted help from a volunteer preacher, Onnie Jay Holy, who confides to Hazel that they can make a lot of money from his church with the right promotion. Outraged, Hazel refuses. The same night, Hazel learns that Hawks is not blind. His deception revealed, Hawks skips town, leaving Sabbath Lily behind.

When Enoch delivers the “new jesus” to Hazel, he is obliged to leave the mummy with Sabbath Lily instead. When Hazel finds her holding the mummy like an infant, he becomes furious and slams the thing against a wall, releasing its sawdust stuffing. Then he goes out to preach, only to find that Onnie (his real name is Hoover Shoats) hired a double, Solace Layfield, to preach a distorted version of Hazel’s “Church Without Christ.” Furious, Hazel lures the man into the country and kills him by running over him with the Essex. Enoch also disappears into the country, wearing a gorilla suit stolen from a movie promotion.

After he kills his rival preacher, Hazel returns to town and blinds himself in just the way Hawks failed to. The last months of Hazel’s life are marked by his increasing need to scourge himself until at last, blind and wearing barbed wire under his clothes, Hazel is dead in a ditch in a wintry rain.

Bibliography

Baumgaertner, Jill P. Flannery O’Connor: A Proper Scaring. Rev. ed. Chicago: Cornerstone, 1999. Print.

Brinkmeyer, Robert H., Jr. The Art and Vision of Flannery O’Connor. Baton Rouge: Louisiana State UP, 1993. Print.

Cash, Jean W. Flannery O’Connor: A Life. Knoxville:U of Tennessee P, 2004. Print.

Darretta, John. Before the Sun Has Set: Retribution in the Fiction of Flannery O’Connor. New York: Lang, 2007. Print.

Giannone, Richard. Flannery O’Connor and the Mystery of Love. New York: Fordham UP, 1999. Print.

Gooch, Brad. Flannery: A Life of Flannery O’Connor. Boston; London: Little, 2010. Print.

Han, John J. Wise Blood: A Re-Consideration. Amsterdam: Rodopi, 2011. eBook.

Kirk, Connie Ann. Critical Companion to Flannery O’Connor. New York: Facts On File, 2008. Print.

Kreyling, Michael. New Essays on Wise Blood. New York: Cambridge UP, 1995. Print.

MacGowan, Christopher J. "Flannery O'Connor, Wise Blood (1952)." The Twentieth Century American Fiction Handbook. Malden: Wiley, 2011. eBook.

May, Charles, ed. Critical Insights: Flannery O'Connor. Pasadena: Salem, 2012. eBook.

Mercer, Erin. "The Sacred Other: Flannery O'Connor's Wise Blood." Repression and Realism in Post-War American Literature. New York: Palgrave, 2011. eBook.

Stephens, Martha. The Question of Flannery O’Connor. Baton Rouge: Louisiana State UP, 1980. Print.

Walters, Dorothy. Flannery O’Connor. New York: Twayne, 1973. Print.