The Witch of Prague

First published: 1891

Type of work: Novel

Type of plot: Fantasy—extrasensory powers

Time of work: About 1890

Locale: Prague, Czechoslovakia

The Plot

The story concerns the successes and failures of Unorna, a twenty-five-year-old wealthy orphan. Ever since childhood, when she was observed taming a wolf, she has possessed hypnotic, clairvoyant, and spell-casting powers. She is aided by Keyork Arabian, a clever, dwarfish physician, philosopher, and occultist who would give anything to possess her, body and soul. Unorna’s aim is to thwart the Wanderer’s seven-year search for Beatrice Varanger, his beloved. Beatrice’s father, opposed to their union, had traveled evasively with her until his recent death.

Once Unorna casts her eyes on the Wanderer, she is smitten. Meanwhile, she is loved unrequitedly by Israel Kafka, a rich, handsome young Jew whose healthy blood Keyork uses to keep alive the somnolent body of a patient known as the Old Man. For seven years, Keyork has controlled this enormous wise man, who is 107 years old, hoping to learn from him the secret of eternal life. Keyork is guarded by the Individual, his huge deaf and mute Russian servant. Sister Paul, though knowing and fearing Unorna, stands ready to help Beatrice if needed.

On New Year’s Day, the Wanderer sees Beatrice, home at last, at Mass in Prague’s gloomy Teyn Kirche, but he loses her in the departing crowd. He follows her to a strange house but finds only Unorna. She instantly falls in love with the tall, devout, handsome man. Looking further for Beatrice, he encounters Keyork, his friend from former days, who offers help. For the next month, Unorna tries to hypnotize the Wanderer into forgetting Beatrice and loving her, but visions of the innocent Beatrice intervene to frustrate Unorna’s most strenuous efforts. Meanwhile, Keyork periodically transfuses Kafka’s blood into the Old Man’s veins. At the same time, he hypnotically persuades Kafka that they have been traveling across Europe together for a necessarily enervating month.

The final day of the novel begins. Kafka, in a weakened state, follows Unorna and the Wanderer to the old Jewish cemetery. To dissolve Kafka’s persistent love for her, Unorna bewitches the distraught fellow into believing that he is Simon Abeles, a boy martyred by seventeenth century Jews in Prague for converting to Christianity. Next, she nearly persuades Beatrice, whom she finds in Sister Paul’s convent, to defile the sacred hosts in church that night—and thus deserve eternal damnation— but is stopped when the stalwart nun approaches. Unorna is impressed first when the Wanderer prevents Kafka from killing her in revenge (not that she would mind dying) and then when he tenderly restores the fellow to health. Braving Keyork’s wrath, she awakens the Old Man and asks his advice. In sepulchral tones, he persuades her to reunite the Wanderer and Beatrice. She does so, is forgiven by the lovers, and dies. In agony, Keyork utters a diabolical growl and disappears into thin air.