Colin MacInnes

Author

  • Born: August 20, 1914
  • Birthplace: London, England
  • Died: April 22, 1976

Biography

Colin MacInnes was born to privilege in London on August 20, 1914. When he was three, his mother divorced his father, a successful if flamboyant baritone with a reputation for drinking and womanizing, who subsequently departed for Canada to pursue a concert career. MacInnes grew up with his maternal grandparents, who introduced him to culture, art, and literature. Following his mother’s remarriage, MacInnes lived in Australia until 1930, when the marriage broke up. Given the testy relationship with his mother, who using the pseudonym Angela Thirkell, had by that time written more than thirty popular light romances about British country life, MacInnes was sent to school in Europe. He secured employment in Belgium, read voraciously, and eventually reconciled with his father, adopting his name. MacInnes returned to London in 1936, determined to become a painter. With the advent of World War II, however, he joined the army and served until 1945, most prominently in the intelligence corps.

After the war, MacInnes began to write, initially radio scripts for the British Broadcasting Corporation (BBC) and freelance journalism while he completed his first novel, a thinly veiled autobiographical account of his war service. His follow-up novel chronicled adolescents in Australia and gave MacInnes the first opportunity to explore threshold experiences of teenagers, a group largely absent from serious literary treatment at that time. That interest is central to MacInnes’s next three works, his landmark achievement, known now as the London Trilogy: City of Spades (1957), Absolute Beginners (1959), and Mr. Love and Justice (1960). In documenting the outcasts and misfits who constituted contemporary London’s subcultures—black immigrants from the Caribbean and Africa, the working-class poor, prostitutes and their pimps, gays, and, supremely, teenagers (whom he termed “absolute beginners”)—MacInnes explored the dramatic social changes that had shaken English society after the war, a decade of social unrest, cultural collisions, and a loss of national identity as the British empire no longer claimed its international reach. Like his contemporaries, the so-called Angry Young Men (among them John Wain and Kingsley Amis), MacInnes, a career journalist, wrote novels of social realism, defined by meticulous detailing, an unsentimental commitment to honestly recording the contemporary urban world, psychologically believable characters, and strident indignation over discrimination and hypocrisy (often voiced in lengthy set pieces). MacInnes, drawing on his interest in avant-garde European novels, experimented with multiple narrative voices, deconstructing plot into episodic fragments, and introducing the rich idiom of the street.

MacInnes would continue to write for the next fifteen years. In addition to a rich trove of nonfiction (including a book- length exploration of his bisexuality), he completed several novels, most notably Three Years to Play (1970), an ambitious recreation of the seamy theatrical world of Shakesperean London told through the eyes, once again, of an adolescent innocent. MacInnes died from complications from lung cancer on April 22, 1976. In novels that combined an angry Swiftian sense of social protest with a humane compassion for character and a trenchant sense of humor, MacInnes’s defining novels chronicled a tempestuous period of social unrest in postwar England.