Gaston Miron

Poet

  • Born: January 8, 1928
  • Birthplace: Saint-Agathe-des Monts, Quebec, Canada
  • Died: December 14, 1996
  • Place of death: Montreal, Quebec, Canada

Biography

Born in Saint-Agathe-des Monts, Quebec, Canada, in 1928, Gaston Miron is considered to be the quintessential Québécois, a poet and spokesman for French Quebec culture. His peers have called him Miron the Magnificent and the greatest known linguist, and his theory of language was a major achievement of his career.

Miron was the son of Charles-Auguste Miron, a carpenter, and Jeanne Michaudville Miron. As a child, he voraciously read Canadian and French literature, especially enjoying poetry. He attended the University of Montreal, where he expanded his focus to include social and political issues centering on traditional Québécois culture while exploring the Surrealist and Modernist literary movements. In 1959, Miron and a group of French writers founded a publishing house, Les Editions de l’Hexagone. The founding of this publishing house has been cited as “directly influencing the course of modern poetry in Quebec” because it became a showcase for French Quebec poets and their social concerns, as well as the impetus for a culturally-based poetic forum. In 1953, the company published Deux sangs, a collection of poetry written by Miron and Olivier Marchand.

Miron moved to Paris in 1959, remaining there for nearly two years. Upon his return, he became a central figure in Montreal poetry circles. Additionally, he became intensely involved in promoting Quebec and its artistic issues, first as a journalist for the journal Liberte and the magazine Parti Pris and later as a lecturer at various universities and on radio and television broadcasts. In 1970, an entire issue of the prestigious La Barre du Jour was dedicated to him after his arrest during the October Crisis, a confrontation between the Quebec national liberation movement and the Canadian government.

In 1972, he won the Canada-Belgium Prize for his work and became a sort of aesthetic demagogue for those academics and artists seeking to preserve the purity of the traditional Quebec dialect. Miron has written of the “alienation” and “separation” of becoming a stranger to his own language, which is subject to alteration by “colonizers” or outside influences produced by the literal translation of English to Québécois. Besides creating a cultural alienation, he maintained that such “infiltrations” of language also compromise the indigenous dialect.

Through his political activity, lectures, and active use of language in his poetry, Miron was a prime motivator and participant in the preservation of French Quebec’s linguistic traditions. His poetry, lectures, and songs promoted the Québécois culture, and with his vast store of linguistic and poetic erudition, he linked the present with the past. Miron died in 1996.