Chromatic aberration (CA)
Chromatic aberration is a type of color distortion that occurs when light passes through glass lenses, causing the light to separate into its component colors. This separation happens because different wavelengths of light are refracted at different angles, resulting in blurred images or color fringes, particularly at the edges of objects. Photographers often encounter chromatic aberration, especially in images with high contrast, such as dark subjects against bright backgrounds.
To mitigate this effect, photographers may adjust their composition to lessen color contrast, shift the focal point of the lens, or reduce the camera's aperture. High-quality lenses tend to exhibit less chromatic aberration due to better optical design. While minor chromatic aberration can often be corrected in post-processing, significant distortion can render an image unusable. Understanding how chromatic aberration works is essential for photographers aiming to achieve clearer and more accurate representations in their work.
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Subject Terms
Chromatic aberration
Chromatic aberration (CS) is a type of color distortion that occurs when objects are viewed through glass lenses. When light passes through a lens that alters its path, it is briefly separated into its component colors. If the point at which the light reforms is before or after the sensor of a camera, the colors in the image will appear distorted. This can also occur when a person is looking through a lens.
Photographers use several tactics to reduce the amount of chromatic aberration in their work. They may alter the composition of a photograph, reducing the contrast between colors and shifting the focus away from the edges to make existing chromatic aberration less apparent. They may also change the focal point of a lens or reduce a camera’s aperture.


Background
Lenses function through a process called refraction. As light rays pass through the lens, the structure of the lens forces them to bend. This causes the light rays to change direction. Some lenses make light rays appear to come from closer or farther away. This is what allows certain lenses to make objects appear larger or smaller.
The two most common types of lenses are convex and concave lenses. Convex lenses, also known as converging lenses or positive lenses, bulge outward in the center. This bends light rays so that they converge at a spot close to the lens, giving the illusion that objects are closer than they actually are. For this reason, convex lenses are used in telescopes, binoculars, and other lenses that people use to see objects that are far away.
Concave lenses are thinner at the middle and thicker toward the edges, allowing them to bend light in a way that is the opposite of convex lenses. They cause light to curve outwards, making the light rays that pass through them spread out. Because they do this, they are commonly used in projectors and flashlights.
Convex and concave lenses can be simple or compound. Simple lenses use only one lens to refract light, while compound lenses use multiple lenses, which enables them to create more precise or dramatic effects than simple convex or concave lenses. Compound lenses are commonly used in telescopes and microscopes.
Overview
Chromatic aberration is a type of color distortion that occurs when images are viewed through glass lenses. When light passes through glass, it is refracted. Because different colors of light pass through a lens at various speeds, some lenses may separate light into its component colors. This effect is easily observed when light passes through a prism, which causes white light to separate into its component colors. However, it may also occur as light passes through a lens.
In a photographic context, chromatic aberration is also referred to as “color fringing.” It occurs when light is bent by the camera lens in an undesirable way. In this context, the focal plane of the lens is the camera’s sensor. Properly functioning lenses refract light in a way that influences the photograph. They may make lenses appear closer or farther away or create other visual effects. However, the light refracted by a properly functioning lens should always coalesce at the point of the focal plane.
Unfortunately, many factors can cause light within a camera to coalesce in front of or behind the focal point. These factors include an improperly calibrated lens, the photographer’s focal length, and the current aperture settings of the camera. When light is refracted, it recombines into white light at the point that the light coalesces. If the colors are recombining at a point before or after the focal point, the sensor will not be exposed to white light. Instead, it will be exposed to different colors at various rates.
Most photographers do not like how chromatic aberration alters the colors in a photograph. If minor chromatic aberration occurs in an important image, a photographer may be able to remove the effect during post-processing. However, if major chromatic aberration occurs, the image may not be usable. Though all lenses are capable of producing chromatic aberration, higher quality lenses may be less likely to contain the flaws that cause chromatic aberration.
Photographers use a number of tactics to reduce the chances of chromatic aberration occurring. In some cases, they can alter the composition of a photograph to remove the effect. Chromatic aberration often occurs in photographs that involve a great deal of color contrast. It is most common in photographs with a dark subject and a white background. Reducing the contrast between the subject and the background will likely reduce the amount of chromatic aberration present in the final image.
Additionally, because chromatic aberration is most common at the fringes of an image, reframing a photograph may make it less noticeable. For example, if the subject of a photograph has been zoomed in on, then chromatic aberration may appear in places where the viewer can see it. However, if the subject of the photograph is nowhere near the edges of the image, the viewer may not notice that the colors on the fringes of the image are distorted.
Other methods for avoiding or reducing chromatic aberration involve the mechanics of the camera. For example, zoom lenses often create chromatic exaggeration at the extremes of their focal points. This means that when a lens with adjustable zoom is fully extended or fully retracted, photographers are more likely to experience chromatic aberration. Shifting the lens to a different focal point may reduce or entirely remove the effect. In other instances, reducing the aperture of the camera reduces the presence of most lens defects on photographs by reducing the amount of light that hits the sensor. This process may reduce the presence of chromatic aberration in an image.
Bibliography
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