Robert Bloomfield

Poet

  • Born: December 3, 1766
  • Birthplace: Honington, Suffolk, England
  • Died: August 19, 1823
  • Place of death: Shefford, Bedfordshire, England

Biography

Robert Bloomfield was born in 1766 in the village of Honington, England. His early life was marked by deprivation. His father George, a tailor, died of smallpox before the boy’s first birthday, and his mother Elizabeth eked out a living for Bloomfield and his five elder siblings by spinning wool and conducting a village schoolroom. Bloomfield learned to read before he learned to walk, and the future poet was sent away briefly for tutoring before he was seven, the end of his formal education.

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Between the ages of eleven and fourteen, Bloomfield lived with his mother’s brother-in-law in Sapiston, working as a farmer’s boy. But the frail boy, who even as a man never grew much taller than five feet, proved physically unsuited to heavier work. His mother and uncle decided that better employment might be found with his brother George, a London shoemaker. Reading to George and other cobblers working in the brothers’ garret, Bloomfield soon discovered his gift with words. He began composing poetry in his mind while he cobbled, much of it inspired by happier years in Sapiston, far away from the dark drudgery of London.

After publishing a few poems, Bloomfield married Mary Ann Church in 1790 and began a family, which he supported by shoemaking. (The couple would eventually have five children.) In 1796, after learning to play the violin and craft aeolian harps, he began composing The Farmer’s Boy, a long poem for which he achieved his greatest fame.

Published in 1880, The Farmer’s Boy became enormously popular, selling 26,100 copies in less than three years. The poem was well received critically, and Bloomfield enjoyed the praise of the age’s luminaries, including poets Lord Byron, William Wordsworth, and Samuel Taylor Coleridge. Poet Robert Southey termed him one of England’s “uneducated” poets, a term of praise meant to reflect his unadulterated rural genius. The poem is organized as seasonal reflections of its boy hero, Giles, and hearkens back to a less complex, more spiritually and socially healthy rural England. The poem struck a chord with readers nostalgic for a world that was rapidly disappearing as new forms of land management were radically altering much of England. A basically communal system, which allowed small farmers to sustain themselves, was being replaced by a system of private ownership, called the enclosure movement, which signaled the decline of traditional, rural life.

Although some of his subsequent poems were critical successes, none of Bloomfield’s later work achieved the popularity of The Farmer’s Boy. Financial difficulties dogged the poet throughout the remainder of his life, and his final years were marked by depression and failing health. Although his reputation waned throughout the nineteenth century, his poetry continued to be published in anthologies; judging from sales figures, one scholar counts Bloomfield as the fifth most popular English poet between the years 1835 and 1895. Indeed, he is still remembered fondly in Shefford, the village that was his home after 1812 and where a middle school is named for him.